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Anna Netrebko filed a lawsuit in the US district court in Manhattan yesterday, Friday 4 August, against the Metropolitan Opera. Her lawyers are seeking $360,000 in compensation after all future projects with her were cancelled after the Russian invasion of Ukraine. As one of the opera house's biggest stars, she received the Met's top fee of $17,000 a performance.
The Russian soprano, who lives in Vienna and also has Austrian citizenship, was asked by the general manager of the Met, Peter Gelb, to publicly denounce Vladimir Putin, but Netrebko replied that “as a Russian citizen, she could not make such a statement”. Certainly caught in a difficult position, she eventually stated that she opposed the war after much pressuring. In 2012 she endorsed Putin for president, and in 2014 she was photographed holding a separatist flag when she donated money to an opera house in Donetsk in Ukraine controlled by pro-Russian separatists. She has tried to distance herself from Putin recently, noting that they had only met on a few occasions.
The suit states that the Met “harmed Netrebko's relationship among audiences, including by encouraging protests against her performances” and that “due to the Met's requirement that Netrebko issue public statements opposing the actions of Russian government, Russian politicians have denounced Netrebko, Russian theater companies have canceled contracts with her, Russian audiences have criticized her on her social media channels and in the Russian press, and Netrebko and her family and friends in Russia have suffered the risk of harm, retaliation, and retribution by the Russian government.” The suit says that Netrebko accuses the Met of discriminating against her because she is Russian and causing her “severe mental anguish and emotional distress… depression, humiliation, embarrassment, stress and anxiety, and emotional pain and suffering”.
A statement by the Met said that “Ms. Netrebko's lawsuit has no merit”.
Although she has not sung in the US or UK since the beginning of the war, she continues to sing in Italy (La Scala and the Verona Arena) and other European countries (Germany, France, Austria). However, a concert in Prague in October is in doubt after the deputy mayor asked for its cancellation as Netrebko appears on Ukraine's sanctions list.
Netrebko filed a complaint against the Met last year through the American Guild of Musical Artists, and in February an arbitrator said that for 13 cancelled performances the Met must pay her $200,000. This was because of the contractual agreement “pay or play” that requires institutions to pay performers even if they decide later to not employ them. Yesterday's complaint says that the Met still owed her most of those additional fees.

Graham Spicer is a writer, director and photographer in Milan, blogging (under the name ‘Gramilano') about dance, opera, music and photography for people “who are a bit like me and like some of the things I like”. He was a regular columnist for Opera Now magazine and wrote for the BBC until transferring to Italy.
His scribblings have appeared in various publications from Woman's Weekly to Gay Times, and he wrote the ‘Danza in Italia' column for Dancing Times magazine.
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In our times everything is upside down ! Netrebko got these fees at the met thanks to her agent, not thanks to her talent. She is a very mediocre singer who like most of the Russians, knows how to push herself. As for talent, this is something that has never approached her. Everything she sings/screams, sounds the same. If this is not enough, she does not have any voice lately. She sang Lady Macbeth at La Scala in 2021 and did not have any high note ! A chorus singer or a comprimario had to sing them for her ! Opening night at La Scala ! She does not have a trill – and that’s how she KILLED Anna Bolena in Vienna. I think that SHE has to pay compensation to the public that was obliged to hear her yells ! Right, she HAD a big voice. So what ? This is not enough for opera and for those high fees ! But with her Russian hutzpah, she sues the Met ! I think that Callas, Tebaldi, Moffo in their declining years, were better than Netrebko at her peak !
Her top notes are almost guaranteed whereas the center of her voice can cause problems with intonation. The floated high notes in Aida at Verona a couple of weeks ago were wonderful. I’m not a huge fan, and sometimes she pushes through a role like a truck, but we must try to be objective.
A sad state of affairs. Gelb should never have expected Netrebko to make any such statements, but the MET has precious little money to spare on lawsuits these days. We live in too interesting times!
I think it’s sad that she’s suing, and I think she may win. True that she’s tried to distance herself from the evil Putin but it’s too late. Gelb will not give in and neither will Netrebko. Just to point out a detail, in the New York Times article, it said top fee at the Met is $15K per performance.
I’ve read this in the Guardian: “Netrebko, who made her Met debut in 2002, was due to receive the Met’s top fee of $17,000 per performance, the suit said.” This is quoting from the legal papers.