
Valery Gergiev’s planned concert at the Royal Palace of Caserta, near Naples, has been cancelled after more than 16,000 people (including politicians worldwide, Nobel laureates, and activists) signed a letter addressed to Vincenzo De Luca and the European Commission president, Ursula von der Leyen. De Luca is the leftwing president of the Campania region who had endorsed Gergiev’s appearance, saying that artists should not be held responsible for the actions of their national governments.
Gergiev’s appearance at the Un’Estate da RE festival was to be the conductor’s first appearance in the West since Russia’s invasion of Ukraine. He was at La Scala when the war started and he refused to denounce Vladimir Putin‘s actions, leaving Milan without giving a statement. Just as he supported Putin when Russia annexed Crimea in 2014, he backed the Russian President on this occasion too, and was rewarded for his support when he was made head of the Bolshoi Theatre in Moscow, in addition to the Mariinsky Theatre in St Peterburg, where he was already the director.
Pina Picerno, Vice President of the European Parliament, was the first to speak out, saying, “The concert violates the ethical regulation of the Reggia di Caserta, which among its guidelines prohibits initiatives that violate the UN 2030 agenda, which condemns all forms of violence, torture, arms and money trafficking, and calls for access to fair justice for all. These are values that are evidently light years away from Gergiev and the regime of which he is a sponsor, testimonial and accomplice… I appeal to the Italian government and in particular to the Minister of Culture, Alessandro Giuli, not to make our cultural system a victim of propaganda and servility towards Vladimir Putin’s regime.”
International condemnation included a statement from Yulia Navalnaja, the widow of the Russian opposition leader Aleksei Navalny, who wrote in La Repubblica newspaper that Gergiev’s performance in Italy “would be a gift to the dictator”.
Last week, Italy’s culture minister, Alessandro Giuli, responded saying, “Art is free and cannot be censored. Propaganda, however, even if done with talent, is something else. This is why the concert by Putin’s friend and advisor, Valery Gergiev, wanted, promoted and paid for by the Campania Region and to be held in the Reggia di Caserta, risks sending out the wrong message. Ukraine is an invaded nation and Gergiev’s concert could turn a high-level but objectively controversial and divisive musical event into a sounding board for Russian propaganda, which for me would be deplorable.”
Another planned event, which is already raising eyebrows, is Svetlana Zakharova‘s vehicle Pas de deux for Toes and Fingers with her husband, the violinist Vadim Repin, and dancers Artemiy Belyakov, Mikhail Lobukhin, and Igor Tsvirko. It is programmed for two evenings in January 2026 at the Maggio Musicale in Florence.


An excellent bit of news!
Shame on all of them!
What specifically makes Valery Gergiev “Putin’s conductor”? Is he performing exclusively for Putin? Is he active in Russia’s political scene instead of “minding his music”? Does he accompany Putin wherever he goes? The answer to all of those questions (and a myriad of other, similar ones) is a resounding “no”, so why would someone who respects himself use that sort propaganda-charged language? To what end?
I saw Gergiev for the first time in 1984 (and no, I am not referring the the Orwell novel), when he was the resident conductor of the National Orchestra in Armenia. That was 15 years prior to anyone (probably, Gergiev himself included) hearing about Putin. He went on to having a great career and I have seen him quite a few times since all over the world, most recently in San Francisco.
He may or may not be a friend of Putin’s – I honestly do not know – but how is that related to his art and mastery of music that he is happily sharing with the others? How is performing Tchaikovsky’s 5th Symphony a “political event” and why would anyone in the normal state of mind deprive the Italian public in Caserta of hearing a world-class performance?
It is tiring to see the seemingly endless stream of illogical, politically-charged and far from common sense events and comments, constantly coming out of Europe and this is just another such event. It looks like some high-level officials in Europe are too busy trying to please the “leadership” of the EU, instead of doing something useful and – for starters – at least trying to serve the people that have elected them to do precisely that in the first place.