The Royal Ballet celebrates Glen Tetley’s centenary with Pierrot Lunaire 30 January 202630 January 2026
A ballerina says farewell – English National Ballet Lead Principal Erina Takahashi gives her final performance 19 January 202521 August 2026
A Guide to Manon – MacMillan’s biographer, Jann Parry, observes Natalia Osipova as Manon, with Reece Clarke 18 February 202421 August 2026
La Strada with Alina Cojocaru – “ingenious” choreography and “excellent” dancers in an “incoherent” production [Review and Photo Albums] 27 January 202421 August 2026
[Review] English National Ballet’s Giselle – Mary Skeaping’s version serves the company well 14 January 202421 August 2026
Northern Ballet presents Generations: three short ballets (Joie de vivre, Adagio Hammerklavier, Intimate Pages) 2 November 202321 August 2026
The Fonteyn at His Majesty’s – Margot Fonteyn International Ballet Competition 2023 1 November 202321 August 2026
[Interview] London City Ballet reborn – talking with its new director, Christopher Marney 31 October 202321 August 2026
[Review] The Limit – The Royal Ballet’s Francesca Hayward and Alexander Campbell in a new two-hander 26 October 20236 July 2024
[Review] The Royal Ballet double bill: Valentino Zucchetti’s Anemoi and Cathy Marston’s The Cellist 22 October 202321 August 2026
[Review] A new dance biography: “Dynamo, Michael Somes – A Life in the Royal Ballet” 27 September 202321 August 2026
[Review] BRB2: Carlos Acosta’s Classical Selection – the ups and downs of a mixed bag 15 June 202321 August 2026
[Review] Royal Ballet triple bill: Untitled, 2023, Corybantic Games, Anastasia Act III 12 June 202321 August 2026
[Review] The Great Gatsby – zestful performances in a delectable setting but a convoluted plot 18 May 202321 August 2026
[Review] The return of Akram Khan’s Creature – Jeffrey Cirio galvanises a baffling ballet 26 March 202321 August 2026
Turn It Out with Tiler Peck & Friends – unmistakeable in whatever she does 12 March 202321 August 2026