American Ballet Theatre announces 2026 Fall Season and 2027 Spring Season at The David H. Koch Theater
American Ballet Theatre’s two seasons at the David H. Koch Theater in 2026-2027 were announced by Artistic Director Susan Jaffe.
American Ballet Theatre’s two seasons at the David H. Koch Theater in 2026-2027 were announced by Artistic Director Susan Jaffe.
Graham Spicer talked with choreographers Sol León and Paul Lightfoot – León and Lightfoot – after the opening night of their new double bill for The Royal Ballet.
Kathrina Farrugia-Kriel flavours the spirit of contemporary ballet in León and Lightfoot’s Shoot the Moon and Salle de Danse for The Royal Ballet.
Kathrina Farrugia-Kriel sees Wayne McGregor: Alchemies with The Royal Ballet – This exhilarating triple bill is the very essence of alchemies of curiosity: absorbing, engaging, daring.
Graham Spicer sees Harald Lander’s Études, Jiří Kylián’s Petite Mort, and Gioacchino Starace in Maurice Béjart’s Boléro at La Scala.
Rocio Aleman was born in Monterrey, Mexico. In 2008 she went to Stuttgart to train at the John Cranko Schule, in 2011 she joined the Stuttgart Ballet becoming Principal Dancer in 2021.
Jonathan Gray sees the State Ballet of Georgia’s production of Swan Lake: “Step by step, moment by moment, act by act, I felt my heart sinking.”
After her debut as Juliet in John Cranko’s Romeo and Juliet, Mackenzie Brown was promoted to Principal Dancer at Stuttgart Ballet.
Sarah Jessica Parker is producing ‘Front Row’, a documentary about the United Ukrainian Ballet, spotlighting Ukrainian dancers after the Russian invasion.
Casting for American Ballet Theatre’s 2023 Fall Season at the David H. Koch Theater from October 18–29 was announced today by Artistic Director Susan Jaffe.
Artistic Director Susan Jaffe announced American Ballet Theatre’s Fall season programming today. The season will run from 18–29 October with three programmes.
Meet the 24 pre-professional students at The Royal Ballet School; all have won contracts for the upcoming season.
Tamas Detrich’s career with Stuttgart Ballet spans 45 years – as a dancer and since 2018 as artistic director. He, and four of his company, talk to Gramilano.
Gabriela Carrizo/Jiri Kylian/ Crystal Pite and Simon McBurne is the ungainly title of the NDT triple bill: “incoherent as a bad dream”.
Wayne McGregor presents Altered States, the title of the 17th International Festival of Contemporary Dance for the Biennale di Venezia 2023.
David Dawson’s Anima Animus and Philippe Kratz’s Solitude Sometimes are the highlights of La Scala’s new contemporary programme.
Acosta Danza brings its Spectrum programme to the Royal Opera House’s Linbury Theatre – some weak choreography but exceptional dancers.
It is written with love for John Cranko but does not shy away from noting his insecurities, nor from stating that not all his ballets were works of genius.
Guest author Matthew Paluch sees the Birmingham Royal Ballet’s Into the Music: Kylián’s Forgotten Land; Runacre-Temple’s Hotel; Scholz’s The Seventh Symphony.
Matthew Paluch reviews Giselle with Alina Cojocaru, Alexandr Trusch, Vladyslava Kovalenko and the United Ukrainian Ballet.
The United Ukrainian Ballet will perform Alexei Ratmansky’s new ‘Ukrainian’ Giselle in the Netherlands and at the London Coliseum.
La Scala Ballet Season 2022-2023: 7 programmes, comprised of mixed-bills and full-length repertoire pieces, include two new creations.
La Scala postpones planned contemporary programme to recoup sold-out La Bayadère performances cancelled for COVID outbreaks.
Manuel Legris ballet season for La Scala 2021-2022 consists of ten titles, including new works, debuts for La Scala, and five repertoire titles.
Royal Ballet principal dancer Yasmine Naghdi talks about loves and dislikes from Spritz to Manon, Tokyo to Puglia, her grandmother’s table to Covent Garden.
Save the best until last. Not a bad programming policy, and with La Scala’s recent triple bill, the last was Maurice Béjart‘s Boléro. Obviously, with the first item on the programme being George Balanchine’s Symphony in C it can hardly be the best for many, but the Béjart is undoubtedly a crowd-pleaser and whoops and…
BALANCHINE / KYLIÁN / BÉJART Opening night: Saturday 16 November 2019 SYMPHONY IN C Music Georges Bizet Choreography George Balanchine © School of American Ballet Revived by Patricia Neary Costumes Karinska Lights Andrea Giretti First movement Martina Arduino, Nicola Del Freo Second movement Nicoletta Manni, Marco Agostino Third movement Alessandra Vassallo, Claudio Coviello Fourth movement…
Karen Kain will retire as Artistic Director of The National Ballet of Canada in January 2021 and will be named Artistic Director Emeritus. She has been the company’s Artistic Director since 2005. Toronto Life once said, Under the reign of Karen Kain, The National Ballet of Canada has flowered into one of the most thrilling…
Of course, it was not a simple path and fraught with difficulties, which put everyone to the test, but which allowed the theatre to achieve undeniable results. After the surprising accusations from the unions representing the dancers at the Rome Opera Ballet about Eleonora Abbagnato‘s bad behaviour, she has decided that it is time to…
After nine years away, the Tokyo Ballet returned to Milan as part of its Italian tour. The four-day stay saw two programmes with some of the company’s ‘greatest hits’. A triple bill consisted of Balanchine’s Serenade, Kylián’s Dreamtime, and Béjart’s Le Sacre du printemps; the second programme was Béjart’s The Kabuki. Serenade was beautiful to behold…
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