American Ballet Theatre announces 2026 Fall Season and 2027 Spring Season at The David H. Koch Theater 21 July 202621 July 2026
Interview: León and Lightfoot at The Royal Ballet – life, age, and change… a very beautiful message 2 July 20269 October 2026
Review: So Are We, León and Lightfoot – a five-star double bill from The Royal Ballet 13 June 202621 August 2026
Review: Wayne McGregor’s Alchemies – changing expectations at The Royal Ballet 20 April 202621 August 2026
Review: La Scala triple bill – a five-star performance from Gioacchino Starace in Béjart’s Boléro 4 October 202521 August 2026
Sarah Jessica Parker produces Front Row, a documentary following the United Ukrainian Ballet 15 October 20236 July 2024
Meet the 24 graduating Royal Ballet School students – 100% leave with contracts 14 July 202321 August 2026
[Interview] Tamas Detrich’s first five years as director of Stuttgart Ballet 24 June 202322 October 2026
[Review] Dawson/Duato/Kratz/Kylián – a contemporary programme at La Scala 12 February 202321 August 2026
[Review] Acosta Danza’s Spectrum – endless commitment, and energy for eternity 24 January 202321 August 2026
The lonely father – Jonathan Gray reviews a new biography of the choreographer John Cranko 3 January 202321 August 2026
Giselle with Alina Cojocaru and the United Ukrainian Ballet: unforgettable moments 15 September 202221 August 2026
Save the best until last – La Scala’s triple bill shows a company in excellent form 6 December 20199 October 2026
Photo Album: Opening night at La Scala – Roberto Bolle in Bolero, Symphony in C, Petite Mort 17 November 20196 July 2024
Karen Kain to Retire as Artistic Director of The National Ballet of Canada 25 October 20196 July 2024
Eleonora Abbagnato: Rome Opera Ballet is at an international level through my enthusiasm and dedication 9 August 201919 October 2024