Mikhail Baryshnikov, one year after the death of his friend and collaborator, the director Robert Wilson, is working on completing their last project.
Scott C Morgan sees Winning Works in Chicago – invaluable for all the featured choreographers and their young dancers.
Countertenor Carlo Vistoli reveals what makes him tick and what turns him off – from Bartoli to Kubrick, from Venice to his iPad.
This summer, the Mark Morris Dance Group returns to The Joyce Theater in New York, marking the company’s 45th anniversary season.
Voices of British Ballet, the oral history project that began in 2002, will now be available online with podcasts from its vast library of interviews.
Reviewer Matthew Paluch sees Trajal Harrell’s Porca Miseria and is undecided: “this is profound so concentrate, or what a load of codswallop!”
The latest Dancing Times magazine is now on sale. The August 2018 issue contains my latest Danza in Italia column with thoughts on the new Le Corsaire by Anna-Marie Holmes at La Scala, with company dancers Nicoletta Manni, Timofej Andrijashenko, Martina Arduino and Mattia Semperboni. The theatre also dedicated a series of evenings to Rudolf Nureyev…
After the success of Letter to a Man at the Spoleto Festival in July, Mikhail Baryshnikov will resume his role as Nijinsky on 11 September for a two-week run in Milan. Once again, he is collaborating with Bob Wilson. There is a lot of movement, a body language. Physically it’s more demanding than other works…
You’ve heard of the NYC Dance Project and seen its beautiful series of dance photos: carefully lit and glamorously shot. Its images, featuring some of the world’s best dancers, adorn thousands of blogs and Facebook timelines. There are so many NYCDP images out there that it a surprise to learn that the first post on…
Q&A When did you start dancing? I started dancing when I was 9 years old. Why did you start dancing? I started dancing because I was driving my mom crazy. She wanted to get me out of the house and into an after-school activity. I had an appalling amount of energy and I absolutely hated…
The Dance Section of the Critics’ Circle has announced the nominations for the 15th National Dance Awards. The Critics’ Circle is composed of five sections: Music, Theatre, Film, Dance and Visual Arts and Architecture. Its aims are to promote the art of criticism, to uphold its integrity in practice and to support the advancement of the arts. Currently…
Dutch National Ballet principal dancer Vito Mazzeo will bring a group of his colleagues from Amsterdam to Teatro Salieri in Legnago for a ‘Dutch Gala’ on 22 November. Mazzeo, who was formerly a principal with the San Francisco Ballet, will be joined by Igone de Jongh, Emilie Gallerani Tassinari, Wenting Guan, Victoria Ananyan, Cristiano Principato…
San Francisco Ballet launch their London season at London’s Sadler’s Wells Theatre this evening, and until September 23 they will be presenting three mixed-bill programs. That’s 10 works over nine performances, featuring works by George Balanchine, Edwaard Liang, Mark Morris, Ashley Page, Christopher Wheeldon, SF Ballet chief Helgi Tomasson, as well as their Choreographer in…
As “In Paris” arrives in Tel Aviv for nine performances, Mikhail Baryshnikov talked to Elad Samorzik of Haaretz: On age and repertoire “Listen, I am 63 years-old. It depends what you’re dancing. The piece we did with Anna Laguna we played ourselves, our age. We are not dancing ‘Romeo and Juliet.’ You know, pas de deux….
Steven McRae will be donning his tap-shoes for the latest edition of Fall For Dance at New York City Center, which will run from October 27 to November 6. Twenty companies and choreographers are taking part with all tickets at only $10. For ten exhilarating days each year, feel the rush…the exuberance…the sheer joy that…
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