Once again, he is collaborating with Bob Wilson.
There is a lot of movement, a body language. Physically it’s more demanding than other works by Bob Wilson.
I speak in Russian and English with a few words in Italian. Among the recorded voices that you hear is that of the great choreographer Lucinda Childs who plays the part of Nijinsky’s wife, Romola.
It was many years ago, while Baryshnikov was touring Italy with Carla Fracci, that Romola asked him if he’d like to interpret the last work created by her husband, but, as he was under contract, he had to turn the proposal down.
Apart from dance, however, there is little to link them,
The only thing that we have in common is that we both came from the provinces and ended up in St Petersburg.
It was a big step, but I was fortunate that I made that decision. I have no regrets. I have never wanted to return to Russia since.
In this odd interview with the Corriere della Sera – questions seem to have picked randomly from a hat – there are a couple of fun Questionnaire-type answers. What’s the best dance film?
The Red Shoes which managed to be both populist and innovative: romantic, adventurous. It was great publicity for dance.
Not The Turning Point?
I don’t like talking about me.
Who’s the best dancer of all time?
Who are the best choreographers today?
Although he doesn’t like talking about himself, he does reply openly to the question, “What do you feel about the passing of time?”
Mortality is more deeply felt by men. Maybe it’s because women live longer! We panic and because of this we tend to work frantically.
Work is like a horsewhip on the flanks of time. Each time I ask myself, how much time have I got left for another show?
Time is cruel… seconds pass ever more quickly.
Letter to a Man, production photos by Lucie Jansch