Review: Acosta Danza Yunior’s Next Generation – nothing made my artistic soul soar
Matthew Paluch sees Acosta Danza Yunior in four contemporary works but, all in all, it wasn’t a very inspiring night.
Sadler’s Wells East
-
-
Review: Louise Lecavalier in Danses Vagabondes – death by a thousand cuts
Lydia Wharf sees the latest from Louise Lecavalier – She’s an icon. She owes you nothing. Yet somehow she gives you everything, in her own inimitable style.
-
Review: English National Ballet’s My First Ballet: Cinderella – moments of real magic
Lily Hyde sees My First Ballet: Cinderella, a production of an incredibly high standard for audience members of any age, with a strong calibre of dancing.
-
Review: Alexander Whitley Double Bill, Mirror and Rite of Spring – missing the point?
Lydia Wharf sees Alexander Whitley’s double bill and appreciates his rich, interesting vocabulary, but, although enjoyable, she remains disappointed.
-
Review: Julie Cunningham & Company in CROW and Pigeons – an impressive double bill, authentic, rigorous, conscientious and brave
Matthew Paluch sees Julie Cunningham & Company in CROW and Pigeons: the work has very little equal competition in the UK dance scene.
-
Review: Our Mighty Groove at London’s Sadler’s Wells East – the 3★ show opens a 5★ theatre
Graham Watts sees Vicki Igbokwe-Ozoagu’s Our Mighty Groove that opens London’s newest theatre – Sadler’s Wells East
End of content
End of content