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The Independent

The funding cuts are deep, but “Ballet is dying” anyway, insists Sadler’s Wells chief Alistair Spalding

4 April 2011 by Gramilano Leave a Comment

Ballet is in crisis, with fresh talent and ideas struggling to break through and the major companies obsessed with 200-year-old productions at the expense of new work, according to the head of … [Read more...] about The funding cuts are deep, but “Ballet is dying” anyway, insists Sadler’s Wells chief Alistair Spalding

So it’s not The Most Incredible Thing after all

25 March 2011 by Gramilano Leave a Comment

British pop duo the Pet Shop Boys have unveiled their first ballet score, a dance work based on the Hans Christian Andersen story The Most Incredible Thing. It is a fairytale about a ruler who offers … [Read more...] about So it’s not The Most Incredible Thing after all

First reviews are out of Wheeldon’s Alice at the Royal Ballet

1 March 2011 by Gramilano Leave a Comment

Neil Norman for The Daily Express has no doubt: I predict that Christopher Wheeldon’s triumphant production of Lewis Carroll’s immortal classic will become the must-see ballet for children and adults … [Read more...] about First reviews are out of Wheeldon’s Alice at the Royal Ballet

“Ideas batter me like hailstones. Who am I?” – Frankenstein at the National Theatre

28 February 2011 by Gramilano Leave a Comment

Frankenstein, the play, directed by Danny Boyle, is just the latest in an almost innumerable sequence of stage, television and film versions of Shelley’s book. Ever since it was published, almost 200 … [Read more...] about “Ideas batter me like hailstones. Who am I?” – Frankenstein at the National Theatre

Joyce DiDonato’s new CD “Diva, Divo” celebrates the vast and fabulous world of the mezzo-soprano

12 February 2011 by Gramilano Leave a Comment

As the blurb succinctly puts it, "This new collection showcases DiDonato’s multi-faceted art – and the wealth of opportunities open to a mezzo-soprano – by presenting her as different characters, both … [Read more...] about Joyce DiDonato’s new CD “Diva, Divo” celebrates the vast and fabulous world of the mezzo-soprano

Even Florez is fallible: “a resonant expostulation of “Oh, shit” from the performer”

21 January 2011 by Gramilano Leave a Comment

Juan Diego Florez has been used to glowing reviews since his début at the Rossini Opera Festival. Recently he has started receiving some sterner criticism, and reactions to his latest recital in … [Read more...] about Even Florez is fallible: “a resonant expostulation of “Oh, shit” from the performer”

Nureyev knows the value of a stage kiss – Romeo and Juliet at the English National Ballet

7 January 2011 by Gramilano Leave a Comment

The Guardian's Sanjoy Roy ioffers the most positive criticism of the English National Ballet's Romeo and Juliet: Rudolf Nureyev's version of Romeo and Juliet – restaged by English National Ballet, … [Read more...] about Nureyev knows the value of a stage kiss – Romeo and Juliet at the English National Ballet

A thumbs down for the revival of Matthew Bourne’s Cinderella

10 December 2010 by Gramilano Leave a Comment

Created in 1997, Bourne's Blitz Cinderella is being revived at Sadlers' Wells. The critics had some doubts. Zoë Anderson in The Independent starts: Matthew Bourne can come across as a brilliant … [Read more...] about A thumbs down for the revival of Matthew Bourne’s Cinderella

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Gramilano newsletter 2019

INTERVIEWS

Bolshoi Ballet director on injury, race, harassment and a new theatre

Bryn Terfel in Grange Park Opera's Fiddler on the Roof

Bryn Terfel and his first UK opera appearance after lockdown

Riccardo Muti and the Vienna Philharmonic, photo by © Silvia Lelli_05

Riccardo Muti interview, part two: Pavarotti, communication, politics and music’s meaning

Yasmine Naghdi and Matthew Ball rehearse Giselle for The Royal Ballet 2021, photo by Dasa Wharton

Ten years of interviewing Royal Ballet dancers, designers, choreographers, ballet masters and its director

Tamas Detrich at the Stuttgart Ballet

[Interview] Tamas Detrich’s first five years as director of Stuttgart Ballet

Grand Pas Classique at English National Ballet, photo by Laurent Liotardo

Introducing 19-year-old Canadian dancer Shale Wagman: from Lausanne to ENB to the Mariinsky

Hervé Koubi - photo by Véronique Chochon-01

[Interview] Choreographer Hervé Koubi – If we can dance together, we can live together

Yasmine Naghdi prepares for Gamzatti, photo by Dasa Wharton 16

Interviews with 3 Royal Ballet principals: Nuñez, Cuthbertson, Naghdi

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GRAMILANO

Graham Spicer, aka 'Gramilano', is a writer, director and photographer based in Milan. He was a regular columnist for Opera Now magazine and wrote for the BBC until transferring to Italy. His articles have appeared in various publications from Woman's Weekly to Gay Times, and he wrote the Danza in Italia column for Dancing Times magazine. Graham was the historical advisor on Codice Carla, the 2023 documentary on Carla Fracci.

Graham also works as a dance photographer, and his photos have appeared in books, theatre programmes, and magazines, including Dancing Times, Dance Spirit and Ballet2000, as well as all the major Italian newspapers.

He is a member of the Dance Section of The Critics’ Circle.

Since 2022, Gramilano has been pleased to welcome guest authors: Paul Arrowsmith, Donatella Bertozzi, Georgina Butler, Kathrina Farrugia-Kriel, Jonathan Gray, Marina Harss, Ann Haskins, Lily Hyde, Marta Mele, Matthew Paluch, Jann Parry, Lucía Piquero, Graham Watts, Deborah Weiss, and Lydia Wharf.

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