Milan celebrates one of its most-loved actresses as she turns 80
Giulia Lazzarini, one of Giorgio Strehler‘s favourite actress, and for decades a constant presence on the stage of Milan’s famed Piccolo Teatro, is 80 and, rightly, it was at the Piccolo Teatro that her birthday was celebrated this week.
Looking ten-years younger, she is continuing to work on stage, and will play the mother in Nanni Moretti’s next film Mia Madre (My Mother). With Alberto Bentoglio from the University of Milan and critic Maurizio Porro, she was taken through some of the highlights of her career which includes plays and classics of literature transmitted live in the pioneering days of television, film, and above all, the theatre. Legendary are the productions by Strehler with Lazzarini, the most memorable of all being Beckett’s Happy Days, Varya in Chekhov’s The Cherry Orchard with Valentina Cortese, Polly in Brecht and Weill’s The Threepenny Opera and her striking and physically demanding Ariel in Shakespeare’s The Tempest, where she was flown on a single wire throughout the performance.
A book and a documentary have also come out to celebrate Milan’s cherished actress; a woman with a warm smile and a timid presence yet when on stage is a powerhouse performer, who also possesses a wonderful comedic touch. This was all present at the Piccolo Teatro as she recounted anecdotes about her performances, occasionally slipping into her characters as though she’d left them just the day before.
Buon compleanno Giulia!
Graham Spicer, aka ‘Gramilano’, is a writer, director and photographer based in Milan. He was a regular columnist for Opera Now magazine and wrote for the BBC until transferring to Italy. His articles have appeared in various publications from Woman’s Weekly to Gay Times, and he wrote the Danza in Italia column for Dancing Times magazine. Graham was the historical advisor on Codice Carla, the 2023 documentary on Italian ballerina Carla Fracci.
Graham also works as a dance photographer, and his photos have appeared in many books, theatre programmes, and magazines, including Dancing Times, Dance Spirit and Ballet2000, as well as all the major Italian newspapers.
He is a member of the Dance Section of The Critics’ Circle.
