Review: The Joffrey Ballet celebrates American Icons of dance with works by Arpino, Graham, Joffrey and Tetley
Scott C Morgan sees a programme of American Icons of dance with The Joffrey Ballet – this US arts institution is a global dance treasure.
Glen Tetley
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Review: The Royal Ballet revives Glen Tetley’s Pierrot Lunaire
Graham Watts sees Marcelino Sambé, Mayara Magri and Matthew Ball in Pierrot Lunaire, celebrating Glen Tetley’s centenary.
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The Royal Ballet celebrates Glen Tetley’s centenary with Pierrot Lunaire
The Royal Ballet celebrates the centenary of Glen Tetley’s birth this February with a revival of his masterwork Pierrot Lunaire.
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Patricio Revé joins The Royal Ballet as Principal dancer
Director of The Royal Ballet, Kevin O’Hare, today announced that Patricio Revé will join the Company as a Principal dancer from the start of the 2026/27 Season.
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Remembering Carla Fracci, three years after her death
Carla Fracci, the great Italian ballerina, died three years ago today, on 27 May 2021. I wrote her obituary for Dancing Times magazine that is reproduced here.
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The Stuttgart Ballet mourns the passing of Dieter Graefe at 84
Dieter Graefe, former Administrator of the Stuttgart Ballet and holder of the rights to John Cranko’s ballets, died in Stuttgart on Saturday 20 April.
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dance | interviews | news
[Interview] London City Ballet reborn – talking with its new director, Christopher Marney
London City Ballet returns to theatres next year, directed by Christopher Carney, former artistic director of Joffrey Ballet Studio Company of Chicago.
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[Review] Birmingham Royal Ballet triple bill ‘Into the Music’
Guest author Matthew Paluch sees the Birmingham Royal Ballet’s Into the Music: Kylián’s Forgotten Land; Runacre-Temple’s Hotel; Scholz’s The Seventh Symphony.
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Breaking the LORE: Wayne McGregor on his new dance work at La Scala
Today is the 140th anniversary of the birth of Stravinsky, so the perfect day to meet Wayne McGregor to talk about his new Stravinsky programme.
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Zenaida Yanowsky’s final curtain call
After 23 years with The Royal Ballet, last night Zenaida Yanowsky gave her final curtain call on the Covent Garden stage. Her final performance at the Royal Opera House was in Marguerite and Armand where she danced alongside Roberto Bolle. Her last performance with the Company, however, will be in Australia in July, performing Paulina in The…
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Teatro alla Scala new ballet season 2016-2017, “a strange equilibrium”
La Scala has released its new ballet season for 2016-2017. Not surprisingly, the new Ballet Director, Mauro Bigonzetti, is putting his mark on the season with a new production of Coppélia which he will choreograph to launch the season. Bigonzetti’s long-standing collaborator Eugenio Scigliano will create a new version of Sheherazade, while in the same evening, Bigonzetti will…
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Marcia Haydée answers the Gramilano Questionnaire… Dancers’ Edition
Q&A When did you start dancing? When I was three years-old. Why did you start dancing? I was born to dance! Which dancer inspired you most as a child? Margot Fonteyn. Which dancer do you most admire? Nureyev. What’s your favourite role? I love all of them. What role have you never played but would…
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Evan McKie answers the Gramilano Questionnaire… Dancers’ Edition
Q&A When did you start dancing? In the womb. Why did you start dancing? I will probably never know the answer to that. I just know why I keep doing it. Which dancer inspired you most as a child? Rudolph, Pina, Kazuo Ohno, Gregory Hines, Erik Bruhn , Karen Kain, Evelyn Hart, Robert Tewsley, Lynn…
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Mara Galeazzi answers the Gramilano Questionnaire… Dancers’ Edition
Q&A When did you start dancing? When I was 6. Why did you start dancing? At first was for fun. Which dancer inspired you most as a child? Alessandra Ferri, Carla Fracci and Pina Baush. Which dancer do you most admire? I admire all dancers for their hard work and passion. What’s your favourite role?…
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Critics round-up: Royal Ballet Triple Bill – Scènes de ballet – Voluntaries – Rite of Spring
“Whether you regard the triple bill as an evening of highlights or an insubstantial pageant depends on the programme,” – says the Daily Express, before going on to review the Royal Ballet’s latest triple bill. I suppose that’s true, but as someone who loves picnics, antipasti, collections of short stories and boxes of mixed truffles, I…
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