Another Carmen? Well, yes, but there is a slightly different slant to this new production for the Rome Opera Ballet because Jiří Bubeníček has used Prosper Mérimée’s novella as his starting point, not Bizet’s opera. The ballet does, however, use Bizet’s music for the main part, which instantly removes originality from the score. Apart from […]
Mats Ek
The National Ballet of Canada’s first performance in Russia to be livestreamed
The National Ballet of Canada’s first performance in Moscow will be livestreamed across Russia on Yandex. The free livestream will take place on 15 October 2018 from The Stanislavsky and Nemirovich-Danchenko Moscow Academic Music Theatre in Moscow where the National Ballet will perform a mixed programme as part of Diana Vishneva’s Context festival. The free livestream […]
Julien Favreau answers the Gramilano Questionnaire… Dancers’ Edition
Q&A When did you start dancing? When I was about 7, in a very small ballet school in France where we were only 4 boys! Why did you start dancing? Maybe because my uncle was a DJ and I wanted to learn how to dance to go to the club Which dancer inspired you most […]
La Scala brings Misty Copeland, Marianela Núñez and Roberto Bolle to California in Giselle
La Scala’s ballet company is in California, warming up for tomorrow’s opening night of Giselle at the Segerstrom Center. The company’s resident principal dancers will only be seen at the Saturday matinee, though for the three evening performances Roberto Bolle will play Albrecht and, although he is a guest artist at Milan’s opera house, he […]
Nicolas Le Riche appointed head of the Royal Swedish Ballet
Nicolas Le Riche will direct the Royal Swedish Ballet beginning autumn 2017. He has signed a five-year contract with the Royal Swedish Opera and will arrive in Stockholm mid-August. Birgitta Svendén, CEO of the Royal Swedish Opera, said, I am very proud to present Nicolas Le Riche as the new ballet director for the Royal […]
Zenaida Yanowsky’s final curtain call
After 23 years with The Royal Ballet, last night Zenaida Yanowsky gave her final curtain call on the Covent Garden stage. Her final performance at the Royal Opera House was in Marguerite and Armand where she danced alongside Roberto Bolle. Her last performance with the Company, however, will be in Australia in July, performing Paulina in The […]
Proscaenium’s Gran Gala with the best of Italy’s dancing talent
Gramilano has already written about Cincia Puricelli’s dancing school Proscaenium, which is based in Gallarate, a town near Milan’s Malpensa airport. An ordinary town, and on the surface an ordinary dancing school, yet it is bravely run with ambitious goals. Last year Puricelli’s conceit was to invite Carla Fracci (for her first public masterclass) together […]
Abdiel Cedric Jacobsen answers the Gramilano Questionnaire… dancers’ edition
Q&A When did you start dancing? I began dancing when I was in the womb, taught informally by my mother through the blood memory of her ancestors. My mom is Ivorian – from Côte d’Ivoire – and when we were little kids she would push aside the coffee table in the living room to teach […]
Spellbound Contemporary Ballet and Gala DanzaEccellenze at Milan’s Teatro Carcano
The Teatro Carcano in Milan is trying to forge ahead with a project to feature dance, especially contemporary dance, on its stage. Dance in Milan tends to be dominated by La Scala, while other northern Italian towns such as Venice, Genoa and Turin have got to see the Eifman Ballet, Ballet Preljocaj, Béjart Ballet Lausanne, […]
Mats Ek retires and pulls the plug on his choreography worldwide
Mats Ek presents his last ever piece of choreography tonight until 10 January in Paris at the Théâtre des Champs-Élysées on the first stop of his farewell tour. He is 70. The programme presents three pieces under the title, From Black to Blue. She Was Black is from 1994, and will be performed by dancers […]
