Emanuela Montanari and Antonino Sutera dance Susanna Beltrami’s Il danno in Milan 19 October 20266 November 2026
Review: Carnaval Vivaldi – Balletto di Roma’s beautiful but flimsy carnival 10 October 202611 October 2026
Review: Trailer Park – TanzMainz scrolls through our digital lives at MILANoLTRE 4 October 20264 October 2026
Review: the Cullberg Ballet in Exposure – not to be read by minors under 18 25 October 202521 August 2026
Review: Ismaël Mouaraki’s Le sacre de Lila with Destins Croisés – “an exquisite care to detail” 20 October 202421 August 2026
Review: Zappalà Danza’s L’après midi d’un Faune, Boléro, Le Sacre du printemps – the ‘Ecstasy Trilogy’ 3 October 202421 August 2026
[Review] Compagnie Marie Chouinard’s Radical Vitality – “the best of” programme shows the breadth of Chouinard’s remarkable work 13 November 202321 August 2026
[Review] Seen in Milan: the very best and absolute worst of contemporary dance 18 October 202221 August 2026
[Review] Pithecanthropus erectus: A celebration of nakedness and freedom 2 October 202221 August 2026
[Review] In difficult times, the MilanOltre Contemporary Dance Festival completes a month of shows 17 October 202022 October 2026
Three new works from MILANoLTRE Festival by Susanna Beltrami, Diego Tortelli and Richard Siegal 23 October 20196 November 2026
