Interview: Darcey Bussell on her time at Birmingham Royal Ballet and Frederick Ashton’s Birthday Offering
Dame Darcey Bussell reflects on the start of her career with Birmingham Royal Ballet, performing Birthday Offering, and its technical demands.
Dame Darcey Bussell reflects on the start of her career with Birmingham Royal Ballet, performing Birthday Offering, and its technical demands.
Matthew Paluch sees The Great Chevalier, in which the diva-ish Mr Chevalier shares the stage with his company’s Executive Director Simone Mousset, in a work often uncomfortably close to home.
Graham Watts praises Dance for Ukraine – a very fine show, worthy of fulsome support.
Darcey Bussell, President of the Royal Academy of Dance, and Ivan Putrov present a ballet gala to support ballet students in Ukraine, on Saturday 21 March.
Gregory Dean talks to Paul Arrowsmith about choreographing and coaching after retiring as a dancer at 40, and life with his daughter.
The Fonteyn 2025 – RAD’s The Margot Fonteyn International Ballet Competition, is coming to São Paulo, Brazil for the first time (11-19 October 2025).
Royal Ballet principal dancer Melissa Hamilton talks about her unique path to the top of her profession, her production company, and her colleagues.
Dance critic Jonathan Gray talks to Voices of British Ballet director, Patricia Linton, about the oral history project.
One third of UK schools are not teaching dance even though dance is part of the United Kingdom’s national curriculum. RAD proposes Battle: Break-It-Down.
Graham Watts talks to Hope Muir, Artistic Director of The National Ballet of Canada, on the eve of the company’s London performances.
Part 3 of dance educator John Byrne’s 3-part essay looks at how the Royal Academy of Dance is run and proposes alternative models of management.
Part 2 of dance educator John Byrne’s 3-part essay looks at how the Royal Academy of Dance is run and proposes alternative models of management.
In a three-part essay, dance educator John Byrne looks at how the Royal Academy of Dance is run and proposes alternative models of management.
Matthew Paluch sees The Margot Fonteyn Ballet Competition: “seeing young people flourish because of their own hard work and dedication will never tire.”
The Royal Ballet has announced the appointment of former company principal dancer Stuart Cassidy as Répétiteur to the Principal Artists.
Director of The Royal Ballet, Kevin O’Hare, has announced the promotions and the joiners and leavers for The Royal Ballet’s 2024/25 Season.
The Royal Academy of Dance has launched series nine of its podcast, Why Dance Matters. First episode with Misty Copeland.
Queen Camilla was Vice-Patron of the Royal Academy of Dance since 2020, with Queen Elizabeth II as Patron from 1953 until her death in 2022.
The Royal Academy of Dance’s Benesh International has collaborated with The Frederick Ashton Foundation and Royal Ballet School to teach choreography using BMN.
The Royal Academy of Dance (RAD) has announced that Alexander Campbell will leave The Royal Ballet to take up its Artistic Directorship.
RAD’s Margot Fonteyn International Ballet Competition returns after Covid at the Phantom of the Opera theatre in London.
The Royal Academy of Dance (RAD) presents awards at final of the Margot Fonteyn International Ballet Competition 2023 in London.
Valentino Zucchetti talks about the genesis of his ballet Anemoi for The Royal Ballet, on its return to the opera house stage.
The Royal Academy of Dance (RAD) has acquired Dancing Times magazine’s photographic archive of 38,000 prints from c1920 to 2000.
The Royal Academy of Dance will host The Fonteyn 2023 competition in London in October – the first in-person competition since the pandemic.
Mary Clarke, former editor of Dancing Times, wrote this obituary of Dame Beryl Grey before her death in 2015.
English National Ballet pays tribute to the company’s president, Dame Beryl Grey, who died yesterday at the age of 95.
Guest author Matthew Paluch sees Cassa Pancho’s Ballet Black celebrating its 20th anniversary with ‘Say it Loud’ and ‘Black Sun’.
#WorldBalletDay 2022 will be the biggest yet with over 60 companies participating, including 14 for the first time.
I write with great sadness that Dancing Times magazine will cease publication and that the September 2022 issue will be its last.
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