Review: Hamlet – South African choreographer Dada Masilo’s final work
Lydia Wharf sees Dada Masilo’s Hamlet, a queer, black, female dance interpretation of Shakespeare that didn’t live up to its promise.
South Africa
-
-
Review: More from the VISAVÌ Gorizia Dance Festival – Bambu, Wetware, Golden Age
Graham Spicer sees 3 more works at the VISAVÌ Gorizia Dance Festival with Greek National Opera Ballet, performers from Africa, and a stand-up choreographer from Slovenia.
-
Review: Robyn Orlin’s ‘We wear our wheels’ – eloquently paced, irreverent, and poignant
Kathrina Farrugia-Kriel sees Robyn Orlin’s “colourful, engaging, thought-provoking” ‘We wear our wheels’ in London, remembering the Rickshaws of KwaZulu-Natal.
-
National Ballet of Cuba forced to cancel South Africa tour at the eleventh hour
Dirk Badenhorst, director of Mzansi Productions, announced in Johannesburg yesterday that the National Ballet of Cuba has cancelled its planned South African tour which was due to open in Johannesburg tomorrow, Thursday August 30. The SA government funded tour was being produced and facilitated by Mzansi Productions. In announcing the cancellation of the National Ballet of Cuba‘s…
-
William Kentridge’s animations are the true stars of The Magic Flute at Milan’s La Scala
Last night Die Zauberflöte bowed out from the La Scala‘s stage, though it won’t be away for long I’d guess. With this production the theatre has united audience, critics and even the infamous boo-ers from the gallery in praise both musically and theatrically, a rare event. Although the casting was sound (with a fiendishly accurate Albina…
End of content
End of content