Life is challenging, but Dancing Times soldiers on, as it has done for 110 years, more than any other dance publication. In all that time, even during world wars, it has never missed publishing an issue, and the coronavirus isn’t about to stop it in its tracks.
Gramilano’s Danza in Italia column was lucky in that it is bi-monthly, and as such still had some shows to review.
An unusual mixed bill at La Scala showcased the works of two choreographers: Hans van Manen and Roland Petit. Two of the van Manen pieces were new to the company, though his Adagio Hammerklavier, which opened the programme, was performed in Milan in 1985. Adagio Hammerklavier was created in 1973 (the men wear leg-warmers and […]
Serata van Manen – Petit, (Van Manen and Petit Evening) opens at La Scala on 23 January. The evening consists of five gems from Hans van Manen and Roland Petit. The three van Manen pieces are Adagio Hammerklavier, Sarcasmen and Kammerballett, while the Petit pieces are Le combat des anges (from his ballet Proust, ou […]
Sylvia opened the 2019-2020 ballet season at La Scala. It is a co-production with the Wiener Staatsballett where it opened in November 2018. There have been no changes to Luisa Spinatelli’s sets and costumes or Manuel Legris’ choreography, which suggests that everyone was pleased with how it turned out in Vienna. However, while the overall […]
Sylvia Photos of the opening night of Sylvia, with choreography by Manuel Legris, starring Martina Arduino, Claudio Coviello, Nicola Del Freo, Christian Fagetti, Maria Celeste Losa and company. Choreography Manuel Legris from Louis Mérante and others Dramaturgy and libretto Manuel Legris and Jean-François Vazelle from Jules Barbier and baron Jacques de Reinach Conductor Kevin Rhodes […]
Save the best until last. Not a bad programming policy, and with La Scala’s recent triple bill, the last was Maurice Béjart’s Boléro. Obviously, with the first item on the programme being George Balanchine’s Symphony in C it can hardly be the best for many, but the Béjart is undoubtedly a crowd-pleaser and whoops and […]
John Cranko’s ballet Onegin was brought to La Scala in 1993 as a vehicle for Carla Fracci with Rex Harrington in the title role. It wasn’t, however, Fracci’s first contact with the ballet. Her close ties with Cranko began before he became the director of the Stuttgart Ballet when she created Juliet in his production […]
BALANCHINE / KYLIÁN / BÉJART Opening night: Saturday 16 November 2019 SYMPHONY IN C Music Georges Bizet Choreography George Balanchine © School of American Ballet Revived by Patricia Neary Costumes Karinska Lights Andrea Giretti First movement Martina Arduino, Nicola Del Freo Second movement Nicoletta Manni, Marco Agostino Third movement Alessandra Vassallo, Claudio Coviello Fourth movement […]
Giselle is one of La Scala Ballet’s international calling cards. Together with Nureyev’s Don Quixote, this production has been seen all over the world, and rightly so. The company dances it beautifully, and its staging by Yvette Chauviré (based, of course, on the Jean Coralli and Jules Perrot choreography) would be difficult to better. It is clearly told, the story points being so carefully prepared that focus is […]
If there is a ballet that belongs to La Scala, it’s Rudolf Nureyev’s production of The Sleeping Beauty, created for the ballet company in 1966 with Carla Fracci and Nureyev in the main roles. It was performed 152 times until 2007, when Tchaikovsky’s score fell silent for eight years until awoken by Alexei Ratmansky when […]
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