Review: Nureyev’s Swan Lake at La Scala with Alice Mariani and Navrin Turnbull
Graham Spicer sees Swan Lake at La Scala – one of Rudolf Nureyev’s most successful choreographies.
Graham Spicer sees Swan Lake at La Scala – one of Rudolf Nureyev’s most successful choreographies.
La Scala Ballet returns to China with eight performances of two ballets from 15 to 24 March.
Graham Spicer sees La Scala’s “Smith/León and Lightfoot/Valastro” contemporary dance triple bill in Milan [Review + photo album].
Alexei Ratmansky’s beautifully judged version of Coppélia for La Scala Ballet is traditional but with many delightful surprises [review + 100-photo album]
Many debuts in Onegin at La Scala saw some exciting and many promising performances, even if many of the dancers lack the magic spark.
Photo album of this year’s rehearsals for Onegin at La Scala and the last production onstage in 2019.
La Scala’s Giselle at La Scala was exciting and emotional with an excellent company and admirable performances from Nicoletta Manni and Timofej Andrijashenko.
Rudolf Nureyev’s La Bayadère has never been performed by any company other than the Paris Opera Ballet. It opens at La Scala with new designs on 15 December.
Contemporary Evening was very good indeed, with seven works: a contemporary ‘classic’, some lesser-known pieces, and a new creation.
Alexei Ratmansky, Jiří Bubeníček, András Lukács and La Scala’s ballet director Manuel Legris give the theatre something to celebrate.
Serata Grandi Coreografi (Evening of Great Choreographers) will be streamed on Saturday 15 May 2021 at 20.00 CET.
After Covid delayed the filming of La Scala’s Tribute to Nureyev gala, it has been filmed and will be streamed on 28 March. (The post contains a gallery of photos from the gala)
A Tribute to Rudolf Nureyev from La Scala in Milan can be seen on Sunday 28 February at 20.00 CET
Life is challenging, but Dancing Times soldiers on, as it has done for 110 years, more than any other dance publication. In all that time, even during world wars, it has never missed publishing an issue, and the coronavirus isn’t about to stop it in its tracks.
Gramilano’s Danza in Italia column was lucky in that it is bi-monthly, and as such still had some shows to review.
An unusual mixed bill at La Scala showcased the works of two choreographers: Hans van Manen and Roland Petit. Two of the van Manen pieces were new to the company, though his Adagio Hammerklavier, which opened the programme, was performed in Milan in 1985. Adagio Hammerklavier was created in 1973 (the men wear leg-warmers and…
Serata van Manen – Petit, (Van Manen and Petit Evening) opens at La Scala on 23 January. The evening consists of five gems from Hans van Manen and Roland Petit. The three van Manen pieces are Adagio Hammerklavier, Sarcasmen and Kammerballett, while the Petit pieces are Le combat des anges (from his ballet Proust, ou…
Sylvia opened the 2019-2020 ballet season at La Scala. It is a co-production with the Wiener Staatsballett where it opened in November 2018. There have been no changes to Luisa Spinatelli‘s sets and costumes or Manuel Legris’ choreography, which suggests that everyone was pleased with how it turned out in Vienna. However, while the overall…
Sylvia Photos of the opening night of Sylvia, with choreography by Manuel Legris, starring Martina Arduino, Claudio Coviello, Nicola Del Freo, Christian Fagetti, Maria Celeste Losa and company. Choreography Manuel Legris from Louis Mérante and others Dramaturgy and libretto Manuel Legris and Jean-François Vazelle from Jules Barbier and baron Jacques de Reinach Conductor Kevin Rhodes…
Save the best until last. Not a bad programming policy, and with La Scala‘s recent triple bill, the last was Maurice Béjart’s Boléro. Obviously, with the first item on the programme being George Balanchine’s Symphony in C it can hardly be the best for many, but the Béjart is undoubtedly a crowd-pleaser and whoops and…
John Cranko’s ballet Onegin was brought to La Scala in 1993 as a vehicle for Carla Fracci with Rex Harrington in the title role. It wasn’t, however, Fracci’s first contact with the ballet. Her close ties with Cranko began before he became the director of the Stuttgart Ballet when she created Juliet in his production…
BALANCHINE / KYLIÁN / BÉJART Opening night: Saturday 16 November 2019 SYMPHONY IN C Music Georges Bizet Choreography George Balanchine © School of American Ballet Revived by Patricia Neary Costumes Karinska Lights Andrea Giretti First movement Martina Arduino, Nicola Del Freo Second movement Nicoletta Manni, Marco Agostino Third movement Alessandra Vassallo, Claudio Coviello Fourth movement…
Giselle is one of La Scala Ballet’s international calling cards. Together with Nureyev’s Don Quixote, this production has been seen all over the world, and rightly so. The company dances it beautifully, and its staging by Yvette Chauviré (based, of course, on the Jean Coralli and Jules Perrot choreography) would be difficult to better. It is clearly told, the story points being so carefully prepared that focus is…
If there is a ballet that belongs to La Scala, it’s Rudolf Nureyev’s production of The Sleeping Beauty, created for the ballet company in 1966 with Carla Fracci and Nureyev in the main roles. It was performed 152 times until 2007, when Tchaikovsky’s score fell silent for eight years until awoken by Alexei Ratmansky when…
Winterreise is Angelin Preljocaj‘s latest creation, danced to the complete Schubert cycle of Lieder. I stand by my arguments that a large theatre like La Scala is not the right theatre for a piece with just 13 dancers and two musicians, but let’s leave that aside — Winterreise is a beautifully crafted gem of dance…
Winterreise by Angelin Preljocaj New commission from Teatro alla Scala in Milan – runs from 24 January to 9 March 2019 Winterreise Franz Schubert Running Time: 1 hour 20 minutes Teatro alla Scala Ballet Company World Premiere Choreography Angelin Preljocaj Sets Constance Guisset Lights Eric Soyer Costumes Angelin Preljocaj MUSICIANS Bass-baritone Thomas Tatzl Piano James Vaughan DANCERS Antonella Albano, Alessandra Vassallo,…
Rudolf Nureyev‘s Don Quixote is a romp. From start to finish it zips along at a frenetic pace, with frenetic steps. That is, except the prologue — Don Quixote’s house — and a prolonged mime scene in the Act Three tavern scene. Unfortunately, for the revival at La Scala, these scenes seem to have been…
Rudolf Nureyev’s Don Quixote returns again to La Scala with many of the company’s newer Principals and Soloists making role debuts. Tomorrow night’s cast – and that of this afternoon’s dress rehearsal – will see Timofej Andrijashenko dance Basilio for the first time, and he will be dancing with Nicoletta Manni who is a house…
Anna-Marie Holmes created her version of Le Corsaire for Boston ballet in 1997. A year later it arrived in New York when it was loaned out to the American Ballet Theatre. Italian dancer Giuseppe Picone played the romantic hero, Conrad, opposite Nina Ananiashvili as Medora. Holmes has mounted her version — and versions of her…
24*, 25, 26, 29 May 2018 Serata Nureyev – An Evening for Nureyev Remembering the 80th Anniversary of Rudolf Nureyev’s birth, 25 years after his death with Corps de ballet of La Scala, Director Frédéric Olivieri Étoiles Svetlana Zakharova, Roberto Bolle Guest Artists Marianela Nuñez, Germain Louvet, Vadim Muntagirov Conductor David Coleman Orchestra of the La Scala Academy With the…
Italian designer Luisa Spinatelli has created scenes and designed 180 costumes for a new production of Le Corsaire at La Scala. [see PHOTO ALBUM 1 – LE CORSAIRE] Anne-Marie Holmes first staged the ballet for Boston in 1997, and it marked the first time that a non-Russian company had danced the piece. A year later she produced…
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