Review: Kaloyan Boyadjiev’s Romeo and Juliet with the Norwegian National Ballet
Graham Watts sees Romeo and Juliet with choreography by Kaloyan Boyadjiev – a production that looks glorious and manages to be both familiar and fresh.
Norwegian National Ballet
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The Royal Ballet School’s 100th graduate year achieves a 100% employment rate
In The Royal Ballet School’s 100th graduating class, this year consisting of 30 students, all have secured contracts with companies as they start their professional journeys.
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Valentino Zucchetti leaves The Royal Ballet
First Soloist Valentino Zucchetti is to leave The Royal Ballet after 16 years to pursue his choreographic and producing career.
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Review: Norwegian National Ballet in Tungrodd / Rahčamuš / Raataminen – preserving identity
Graham Watts sees Tungrodd, a “softly expressive and powerfully expansive” semi-autobiographical work by Sámi choreographer Simone Grøtte from Northern Norway.
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Review: International Draft Works 2026 – an outstanding initiative by The Royal Ballet
Graham Watts sees International Draft Works – three distinctly memorable works among a satisfying, broad spectrum of ideas and styles.
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Review: Marianela Nuñez and Patricio Revé in the Norwegian National Ballet’s La Bayadère
Graham Watts sees La Bayadère in Oslo where two stellar dancers shared the stage with an excellent company.
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Interview: English ballerina Georgie Rose, dancing on top of Rome
Royal Ballet School-trained ballerina Georgie Rose discusses dancing at Castel Sant’Angelo in Rome, her choreographer Sergio Bernal, and living with Tourette’s syndrome.
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Review: International Draft Works 2025 at the Royal Opera House
Graham Watts sees this season’s International Draft Works hosted by the Royal Ballet and Opera, an evening that was “both random and refreshing”.
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