Review: Ballet Central mixed bill – Central School of Ballet’s graduate company
Graham Watts sees Ballet Central perform four works: Solitaire, BOLERO 18, REPLICA, and Times Square Ballet.
Ashley Page
-
-
Review: Ballet Nights, New Futures – the opportunity to compare and contrast
Graham Watts sees New Futures from Ballet Nights, featuring 150 dancers from seven leading dance schools, but it needed pruning and better management.
-
Review: Ballet Nights continues to ‘educate, entertain and impress’ with Decadance
Graham Watts sees Decadance, the tenth iteration of Ballet Nights – a high-end brand that hits the mark every time.
-
Review: London City Ballet with works by Page, Robbins, Chu, and Ratmansky
Graham Watts sees London City Ballet’s mixed bill Rebirth, featuring Alexei Ratmansky’s “masterpiece of witty, inventive choreography” Pictures at an Exhibition.
-
Review: London City Ballet’s Resurgence – energising and optimistic, sensitive yet bold
London City Ballet’s London debut – LCB seems to have struck upon a delicate equilibrium here – one that honours its past without being weighed down by it.
-
Interview: Artistic Director Christopher Marney on reviving London City Ballet – small is beautiful
Interview with Christopher Marney, the man behind the rebirth of London City Ballet, which comes to London and New York in September on its debut tour.
-
Review: The Royal Ballet School’s Summer Performance – ‘the school should be immensely proud’
Jonathan Gray sees The Royal Ballet School’s Summer Performance at The Royal Opera House ‘demonstrating the versatility of the young dancers’.
-
[Interview] The authentic and passionate Laura Morera – a career without limits
Laura Morera talks about her Royal Ballet career, the roles had and lost, dancing Ashton, and her “artistic love story” with choreographer Liam Scarlett.
-
[Photo Album] First photos of The Royal Ballet’s Ashton Triple Bill
First photos of tonight’s Frederick Ashton triple bill with The Royal Ballet: Scènes de ballet, A Month in the Country, and Rhapsody.
-
The 48th Prix de Lausanne kicks off with 77 dancers from 25 countries
The 77 participants of the 48th Prix de Lausanne will spend the week developing their skills and rehearsing their classical and contemporary variations with some of the world’s most respected teachers and coaches. On Friday 7 February, they will perform in front of the nine jury members in order to be selected for the Finals….
-
Zenaida Yanowsky’s final curtain call
After 23 years with The Royal Ballet, last night Zenaida Yanowsky gave her final curtain call on the Covent Garden stage. Her final performance at the Royal Opera House was in Marguerite and Armand where she danced alongside Roberto Bolle. Her last performance with the Company, however, will be in Australia in July, performing Paulina in The…
-
The all-embracing San Francisco Ballet brings its eclecticism and passion to London
San Francisco Ballet launch their London season at London’s Sadler’s Wells Theatre this evening, and until September 23 they will be presenting three mixed-bill programs. That’s 10 works over nine performances, featuring works by George Balanchine, Edwaard Liang, Mark Morris, Ashley Page, Christopher Wheeldon, SF Ballet chief Helgi Tomasson, as well as their Choreographer in…
-
Wayne Eagling will leave the English National Ballet this summer
Wayne Eagling will step down artistic director of English National Ballet, with no clues as to his replacement, said The Times. English National Ballet has announced that Wayne Eagling, who has been artistic director of the company since 2005, will step down at the end of this season in August. He will be the third…
-
Mara Galeazzi answers the Gramilano Questionnaire… Dancers’ Edition
Q&A When did you start dancing? When I was 6. Why did you start dancing? At first was for fun. Which dancer inspired you most as a child? Alessandra Ferri, Carla Fracci and Pina Baush. Which dancer do you most admire? I admire all dancers for their hard work and passion. What’s your favourite role?…
End of content
End of content