Review: Matthew Ball is riveting in The Royal Ballet’s Mayerling
Jonathan Gray sees a myriad of fine performances on Mayerling’s opening night, but none finer than Matthew Ball in Laura Morera’s detailed revival for The Royal Ballet.
Kristen McNally
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Review: A Single Man “with two of our finest male dancer-actors”
Jonathan Gray sees The Royal Ballet and Factory International’s A Single Man – I wanted to be moved more
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The Royal Ballet presents A Single Man, based on the book by Christopher Isherwood
A Single Man, a new ballet based on Christopher Isherwood’s 1964 novel, to receive its London premiere, starring former Royal Ballet Principal Ed Watson.
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Review: London Children’s Ballet in Ella’s Big Chance, A Jazz-Age Cinderella
Georgina Butler sees Ella’s Big Chance – A Jazz-Age Cinderella, choreographed by The Royal Ballet’s Kristen McNally… there’s magic in the air.
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Next Generation Festival – The Royal Ballet celebrates youth dance talent
The Royal Ballet’s Next Generation Festival in the Linbury Theatre features an impressive lineup of young dance talent.
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The 25th National Dance Awards nominations announced
The Dance Section of the UK Critics’ Circle announces the short-listed nominations for the National Dance Awards (#NDA25).
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Acclaimed disabled dancer and choreographer Joe Powell-Main needs your help
Joe Powell-Main, the freelance dancer and choreographer “on wheels and crutches”, has begun a ‘GOFUNDME’ project to support his new company, JPM Productions.
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Review: Royal Ballet in Crystal Pite’s Light of Passage – Serenity, poignancy, and a little bit of idealism
Lucía Piquero Álvarez sees Royal Ballet in Crystal Pite’s Light of Passage (Flight Pattern, Covenant, Passage) – a masterpiece from the master of movement.
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Review: Royal Ballet & Opera’s “Phaedra + Minotaur” left the audience wanting more
Graham Watts sees Royal Ballet & Opera in Phaedra + Minotaur, an equal combination of opera and dance.
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Review: Northern Ballet’s Three Short Ballets at The Royal Opera House
Graham Watts sees Three Short Ballets presented by Northern Ballet – an evening showcasing the growing strength of the Northern powerhouse for dance.
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Review: Mixed ‘Encounters’ – contemporary ballet remains alive at the Opera House
Kathrina Farrugia-Kriel sees The Royal Ballet’s ‘Encounters: Four Contemporary Ballets’ – “Tanowitz masters the art of creating ballets that keep their audiences engaged.”
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Northern Ballet announces triple-bill, Three Short Works for Leeds and London
Northern Ballet’s Three Short Ballets: two world premières by Mthuthuzeli November and Kristen McNally and Rudi van Dantzig’s Four Last Songs.
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[Review] The Limit – The Royal Ballet’s Francesca Hayward and Alexander Campbell in a new two-hander
Jann Parry sees The Limit with The Royal Ballet’s Francesca Hayward and Alexander Campbell – “marvellous movers, but the production’s premise is perverse.”
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[Interview] Alexander Campbell on ‘The Limit’ – a new work for The Royal Ballet
“The average person will speak 123,205,750 words in a lifetime. But what if there were a limit?” asks the new dance work from The Royal Ballet.
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[Review] World premiere of Crystal Pite’s Light of Passage for The Royal Ballet
Guest author Matthew Paluch reviews the opening night of Crystal Pite’s Light of Passage, her first full-length ballet for The Royal Ballet.
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