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Royal Danish Ballet at New York’s Koch Theater in Bournonville’s ‘Napoli’
Credit: Andrea Mohin/The New York Times
Graham Spicer, aka ‘Gramilano’, is a writer, director and photographer based in Milan. He was a regular columnist for Opera Now magazine and wrote for the BBC until transferring to Italy. His articles have appeared in various publications from Woman’s Weekly to Gay Times, and he wrote the Danza in Italia column for Dancing Times magazine. Graham was the historical advisor on Codice Carla, the 2023 documentary on Italian ballerina Carla Fracci.
Graham also works as a dance photographer, and his photos have appeared in many books, theatre programmes, and magazines, including Dancing Times, Dance Spirit and Ballet2000, as well as all the major Italian newspapers.
He is a member of the Dance Section of The Critics’ Circle.
Prix de Lausanne 2026: the 54th edition of the Prix runs from 2 to 8 February 2026 – the competition can be viewed via GRAMILANO.
New York City Ballet’s 2025-26 Season will open with a four-week Fall Season on 16 September with a week of programming dedicated to George Balanchine.
After his debut in the ballet Mayerling, The Royal Ballet’s Calvin Richardson spoke with Lily Hyde about his dream role and his career as Principal Dancer.
Matthew Paluch sees Dimanche by Compagnie Focus & Chaliwaté: “a seriously important work that leaves a lasting impression”
Lucía Piquero Álvarez sees Royal Ballet in Crystal Pite’s Light of Passage (Flight Pattern, Covenant, Passage) – a masterpiece from the master of movement.
Matthew Paluch sees Simone Grøtte’s GLEMT / FORGOTTEN at the Oslo Opera House – the kind of calibre we’d love to see in London on a more regular basis.