Maria Callas in La Traviata – Teatro alla Scala, 1956
Maria Callas would have been 90 today, yet she died 36 years ago.
Her years at La Scala in Milan, where she also recorded most of her ‘studio’ discs, gave the world some of her most memorable performances. Here are some unseen, or rarely-seen photos from the La Scala archives.
Photos from the private collection of Carlo Orlandi
Graham Spicer, aka ‘Gramilano’, is a writer, director and photographer based in Milan. He was a regular columnist for Opera Now magazine and wrote for the BBC until transferring to Italy. His articles have appeared in various publications from Woman’s Weekly to Gay Times, and he wrote the Danza in Italia column for Dancing Times magazine. Graham was the historical advisor on Codice Carla, the 2023 documentary on Italian ballerina Carla Fracci.
Graham also works as a dance photographer, and his photos have appeared in many books, theatre programmes, and magazines, including Dancing Times, Dance Spirit and Ballet2000, as well as all the major Italian newspapers.
He is a member of the Dance Section of The Critics’ Circle.
Amici della Scala has published an annual collection of books on La Scala’s designers for more than 20 years. The new collection features Luciano Damiani and others.
Dancer and ballet director Anna Razzi has died at 85. She was an étoile at La Scala and directed the ballet company and school at Teatro San Carlo in Naples.
Having seen and heard Callas at Chicago Lyric and two Alliance Francaise Concerts in the fifties, she remains the great opera-going experience of my life. Her first Cetra recording, played in a soundproof booth earlier, I found myself blown away with this voice, as if hearing these arias for the first time. Years later, hearing that voice unexpectedly is to be totally drawn in by her unique, artistry – why her recordings are still here to remind us.
RGL
NYC
Having seen and heard Callas at Chicago Lyric and two Alliance Francaise Concerts in the fifties, she remains the great opera-going experience of my life. Her first Cetra recording, played in a soundproof booth earlier, I found myself blown away with this voice, as if hearing these arias for the first time. Years later, hearing that voice unexpectedly is to be totally drawn in by her unique, artistry – why her recordings are still here to remind us.
RGL
NYC