Mayerling. Edward Watson as Crown Prince Rudolf and Francesca Hayward as Princess Stephanie. c ROH, 2017. Photographed by Alice Pennefather.
There are casts, and casts… this is a cast! Opening a run of Mayerling performances this evening at The Royal Opera House sees Edward Watson in the role he’s come to dominate, Prince Rudolf; Mary Vetsera is played by Natalia Osipova, Countess Marie Larisch is Sarah Lamb, Empress Elisabeth is Zenaida Yanowsky, Princess Stephanie is danced by Francesca Hayward, Mitzi Caspar by Marianela Nuñez and Bratfisch is played by Alexander Campbell. An impressive line-up.
Mayerling. Natalia Osipova at Mary Vetsera and Edward Watson as Crown Prince Rudolf. c ROH, 2017. Photographed by Alice Pennefather.
Mayerling. Edward Watson as Crown Prince Rudolf and Natalia Osipova at Mary Vetsera. c ROH, 2017. Photographed by Alice Pennefather.
Mayerling. Edward Watson as Crown Prince Rudolf and Natalia Osipova at Mary Vetsera. c ROH, 2017. Photographed by Alice Pennefather.
Kenneth MacMillan‘s ballet tells the true story of the suicide pact between the heir to the Austro-Hungarian Empire and his teenage mistress in 1889. It is dark, it is powerful, and it received a standing ovation at its premiere in 1978. The score, arranged and orchestrated by John Lanchbery, uses music by Franz Liszt, and Nicholas Georgiadis’s designs conjure up the privileged and oppressive society of the Austro-Hungarian court.
Mayerling. Edward Watson as Crown Prince Rudolf c ROH, 2017. Photographed by Alice Pennefather.
Mayerling. Edward Watson as Crown Prince Rudolf c ROH, 2017. Photographed by Alice Pennefather.
Mayerling. Edward Watson as Crown Prince Rudolf c ROH, 2017. Photographed by Alice Pennefather.
MacMillan excelled in balancing the intimate with the grand, and no more so than here with the pomp of a royal wedding and the splendour of a ballroom in contrast with intimate scenes of such an intensity that it is impossible to not be moved and even disturbed by their frankness. Raw emotion of uncanny directness and force.
Mayerling. Edward Watson as Crown Prince Rudolf and Francesca Hayward as Princess Stephanie. c ROH, 2017. Photographed by Alice Pennefather.
Mayerling. Alexander Campbell as Bratfisch. c ROH, 2017. Photographed by Alice Pennefather.
Watson, as Rudolf, the deeply disturbed Crown Prince which is one of the most demanding roles ever created for a male dancer, enters the psyche of his character to a disturbing degree. His psychological and emotional decline is charted in a series of shockingly violent pas de deux with the women in his life: his mother, his unhappy bride and his young mistress, the obsessive Mary Vetsera.
Mayerling. Sarah Lamb as Marie Larisch and Edward Watson as Crown Prince Rudolf. c ROH, 2017. Photographed by Alice Pennefather.
Mayerling. Edward Watson as Crown Prince Rudolf and Sarah Lamb as Marie Larisch. c ROH, 2017. Photographed by Alice Pennefather.
Graham Spicer, aka ‘Gramilano’, is a writer, director and photographer based in Milan. He was a regular columnist for Opera Now magazine and wrote for the BBC until transferring to Italy. His articles have appeared in various publications from Woman’s Weekly to Gay Times, and he wrote the Danza in Italia column for Dancing Times magazine. Graham was the historical advisor on Codice Carla, the 2023 documentary on Italian ballerina Carla Fracci.
Graham also works as a dance photographer, and his photos have appeared in many books, theatre programmes, and magazines, including Dancing Times, Dance Spirit and Ballet2000, as well as all the major Italian newspapers.
He is a member of the Dance Section of The Critics’ Circle.
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