Tulsa Ballet Artistic Director Marcello Angelini Announces Retirement
After more than 30 years at the helm of Tulsa Ballet, Artistic Director Marcello Angelini will retire at the end of the 2026-2027 Season.
After more than 30 years at the helm of Tulsa Ballet, Artistic Director Marcello Angelini will retire at the end of the 2026-2027 Season.
Royal Ballet Principal Dancer Steven McRae and Principal Guest Concert Master Vasko Vassilev unite for a showcase of exceptional music and dance.
In The Royal Ballet School’s 100th graduating class, this year consisting of 30 students, all have secured contracts with companies as they start their professional journeys.
Tonight is the opening of the Verdensballetten (World Ballet) in the garden of the Royal Garden Society in Copenhagen, and it is on tour until 30 August.
Graham Spicer talked with choreographers Sol León and Paul Lightfoot – León and Lightfoot – after the opening night of their new double bill for The Royal Ballet.
First Soloist Valentino Zucchetti is to leave The Royal Ballet after 16 years to pursue his choreographic and producing career.
Kathrina Farrugia-Kriel flavours the spirit of contemporary ballet in León and Lightfoot’s Shoot the Moon and Salle de Danse for The Royal Ballet.
Kathrina Farrugia-Kriel sees Leticia Dias and Joseph Sissens as Lise and Colas, “finding love, the Ashton way”, in Ballet’s La Fille mal gardée.
Dame Darcey Bussell reflects on the start of her career with Birmingham Royal Ballet, performing Birthday Offering, and its technical demands.
Matthew Paluch sees two debuts in The Royal Ballet’s La Fille mal gardée – Mayara Magri and Leo Dixon. The joy and embodiment were real, and consequently, Ashton’s genius lives on.
Graham Watts sees The Royal Ballet’s La Fille mal gardée with Sae Maeda making her debut as Lise with sunshine, smiles, soaring legs and coy naughtiness.
Graham Spicer sees Christopher Wheeldon’s Alice’s Adventures in Wonderland in Milan – beneath the spectacle is a quiet emotional core.
The 14 Lausanne 2026 Prize Winners have decided on their placements next season – 1st prize winner William Gyves from the United States joins The Royal Ballet.lausanne
The Royal Ballet is the first British company to perform the work of the contemporary choreographic duo Sol León and Paul Lightfoot.
Lily Hyde sees BalleyBoyz’s ‘Still Pointless’ programme, admiring the company’s ten accomplished dancers, but finds some works… pointless?
Graham Spicer sees La Scala’s thrilling contemporary programme: Wayne McGregor’s Chroma, Jean-Christophe Maillot’s Dov’è la luna and Ohad Naharin’s Minus 16.
Lily Hyde talks to William Bracewell about preparing to play Prince Rudolf in The Royal Ballet’s Mayerling, his acting process, and an unlikely source of inspiration.
After his debut in the ballet Mayerling, The Royal Ballet’s Calvin Richardson spoke with Lily Hyde about his dream role and his career as Principal Dancer.
Graham Watts sees International Draft Works – three distinctly memorable works among a satisfying, broad spectrum of ideas and styles.
Graham Watts sees La Bayadère in Oslo where two stellar dancers shared the stage with an excellent company.
Kathrina Farrugia-Kriel sees Wayne McGregor: Alchemies with The Royal Ballet – This exhilarating triple bill is the very essence of alchemies of curiosity: absorbing, engaging, daring.
The complete presentation, calendar and production details of the full Royal Ballet 2026-2027 Season.
Les Étoiles, the well-known gala format seen across Italy, returns to the Teatro degli Arcimboldi in Milan this weekend – on 11 April at 9 pm and on 12 April at 5 pm.
The Dance Section of the Critics’ Circle has announced the short-listed nominations for the National Dance Awards (#NDA26).
Clinton Luckett spoke with Ann Haskins about the ABT ballerinas dancing Sylvia, Delibes’ music, and the challenges of the role created on Margot Fonteyn.
Lily Hyde sees William Bracewell’s debut in Mayerling – one of The Royal Ballet’s most intelligent dancers, a singular performer who evades comparison.
Jonathan Gray sees Calvin Richardson’s debut in Mayerling with The Royal Ballet – Tall, elegantly proportioned, expressive and blessed with great physical strength.
Jonathan Gray sees a myriad of fine performances on Mayerling’s opening night, but none finer than Matthew Ball in Laura Morera’s detailed revival for The Royal Ballet.
Melissa Hamilton will curate a Night of Ballet this summer at Grange Park Opera, produced by Hamilton Christou Productions.
Graham Watts praises Dance for Ukraine – a very fine show, worthy of fulsome support.
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