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Alexei Ratmansky’s new Coppélia opens La Scala’s Ballet Season (in streaming)

60 - Ratmansky's Coppélia - Finale - Nicoletta Manni and Timofej Andrijashenko. Photo by Brescia and Amisano, Teatro alla Scala 2023
Ratmansky’s Coppélia – Finale – and . Photo by Brescia and Amisano, Teatro alla Scala 2023

‘s new production of Coppélia will be broadcast abroad live on the Medici TV digital platform on 17 December, and on 28 December on Italian national television, Rai5 and RaiPlay.

La Scala’s 2023-2024 Ballet Season opens with a world premiere: a new Coppélia from Alexei Ratmansky. The ballet was performed for the first time in 1870 and appeared at from the end of the nineteenth century until 2009, with Derek Deane’s production.

The new version is not a reconstruction but features new choreography from Ratmansky. There are four casts with company dancers and the new étoile Nicoletta Manni in the role of Swanhilda. Tomorrow’s opening performance, 17 December 2023, also sees Timofej Andrijashenko as Franz and as Coppélius who has been given more athletic choreography than is usually seen.

In the roles of Swanhilda, Franz and Coppélius, further performances will see , Nicola Del Freo and Massimo Dalla Mora; Camilla Cerulli, Claudio Coviello and Matteo Gavazzi; and Martina Arduino, Marco Agostino and Massimo Garon. Paul Connelly conducts the Orchestra della Scala.

An added value for Ratmansky taking on this story is that the action takes place in Galicia, a region of present-day Ukraine, the land where he grew up. This connection also inspired designer Jérôme Kaplan’s research, using motifs of Ukrainian folklore in the sets and above all in the costumes. Ratmansky felt it was important in this difficult moment to celebrate the strength, beauty, and joys of his homeland.

Ratmansky has collaborated with the actor, screenwriter and theatre and film director Guillaume Gallienne on the dramaturgy and staging. In the rehearsal room, they concentrated on narration through gesture rather than traditional ballet pantomime. This is made easier as the original character of Swanhilda is already a ‘modern’ girl, and so different from many of the heroines of romantic ballets: individual, energetic, and resolute.

Below is a first look at the production together with set and costume designs.

Alexei Ratmansky’s Coppélia

Jérôme Kaplan’s designs for Coppélia

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