Interview: former Royal Danish Ballet principal Gregory Dean on life after 40 14 December 202521 August 2026
Interview: Kate Flatt, choreographer and movement director, on 40 years of Les Mis and Turandot 4 December 202521 August 2026
Sir Peter Wright celebrates his 99th birthday onstage with The Royal Ballet 24 November 202521 August 2026
Review: Cinderella with Birmingham Royal Ballet – a company on glittering, reenergised form 15 March 202521 August 2026
Interview: Theatre designer Jérôme Kaplan – Be yourself! Always be curious and dream. 12 January 202521 August 2026
Review: Carlos Pons Guerra’s ‘Mariposa’ on tour with DeNada Dance Theatre 9 October 202421 August 2026
Interview: Choreographer Carlos Pons Guerra on Mariposa – a Queer Tragedy inspired by Puccini’s Madama Butterfly 19 September 202421 August 2026
[Interview] Margaret Barbieri, assistant director of Sarasota Ballet, on the eve of the company’s performances at The Royal Opera House 5 June 202421 August 2026
Interview with choreographer Carlos Pons Guerra: dance is an inherently queer art 12 April 202421 August 2026
[Interview] Tamas Detrich’s first five years as director of Stuttgart Ballet 24 June 202321 August 2026
[Review] McNicol Ballet Collective in Devotions: “an engaging and committed group of dancers” 14 June 202321 August 2026
[Interview] The Collected Mr McNicol – talking to choreographer Andrew McNicol 7 June 202321 August 2026
[Interview] The authentic and passionate Laura Morera – a career without limits 29 April 202321 August 2026
[Interview] Designer Tom Pye on death threats, Cinderella – and cowboys 19 March 202321 August 2026
Nureyev’s bum and Fonteyn’s acquired charm… Peter Wright talks (as always) openly 18 December 20167 July 2024
