Renato Zanella is the new director of the Ballet of the San Carlo Theatre in Naples 5 January 20265 January 2026
Review: La Fille mal gardée – opening night with The Royal Ballet in “the sunniest, funniest, twirliest romcom around” 20 October 202521 August 2026
Review: Black History Month Draft Works at The Royal Opera House – the future is certainly looking bright 8 October 202521 August 2026
Review: Royal Ballet in Crystal Pite’s Light of Passage – Serenity, poignancy, and a little bit of idealism 23 February 202521 August 2026
Review: Ballet Black’s Heroes at the Royal Opera House – “a joyous event ” 12 November 202421 August 2026
Review: Zoonation’s The Mad Hatter’s Tea Party at The Royal Opera House – Deliciously Mad 10 September 202410 September 2024
[Interview] Margaret Barbieri, assistant director of Sarasota Ballet, on the eve of the company’s performances at The Royal Opera House 5 June 202421 August 2026
Applications open for Royal Ballet and Opera’s orchestra mentorship with Black Lives in Music and National Open Youth Orchestra 4 June 20246 July 2024
[Review] Robert Binet’s Dark with Excessive Bright – “a component of the bigger, balletic evolutionary journey” 11 February 202421 August 2026
The Royal Ballet’s Nutcracker with Anna Rose O’Sullivan and Marcelino Sambé – cinema audiences are in for a treat 8 December 202321 August 2026
[Interview] Italian conductor Sesto Quatrini – “voices hold an ancestral power over me” 29 November 202321 August 2026
[Review] The Limit – The Royal Ballet’s Francesca Hayward and Alexander Campbell in a new two-hander 26 October 20236 July 2024
Italian conductor Speranza Scappucci to become Principal Guest Conductor at the Royal Opera 5 June 20236 July 2024
[Review] Acosta Danza’s Spectrum – endless commitment, and energy for eternity 24 January 202321 August 2026
