Review: Seke Chimutengwende’s The Last Quartet – the future exists in the past 26 September 202626 September 2026
Review: The Great Chevalier with the diva-ish enfant terrible and Artistic Director of the Ballet National Folklorique du Luxembourg 25 April 202621 August 2026
Review: PCK Dance’s Into the Light – the celebrity pairing of James Pett and Travis Clausen-Knight 16 April 202621 August 2026
Review: ASTITVA with Jaivant Patel Company – a choreography of power and beauty 15 March 202621 August 2026
Review: Luca Silvestrini’s The Magic Flute – unusual and magical dance theatre 22 December 202521 August 2026
Review: Dam Van Huynh’s Exquisite Noise – the power of dissent when used for a valuable cause 11 October 202521 August 2026
Dance Umbrella, London’s annual international dance festival in October, is also online 24 August 202523 September 2026
Review: EMERGENCE with Joss Arnott Dance – the pure enjoyment of movement… I was knocked sideways 18 June 202521 August 2026
Review: Gandini Juggling’s Heka – synchronised juggling was mesmerising 3 February 202521 August 2026
Sharif Afifi talks about his role as a dancer in Lost Dog’s ‘epic yet vulnerable’ Paradise Lost 27 January 202521 August 2026
Review: Luca Silvestrini’s The Little Prince – the collective excitement was palpable and infectious 3 January 202521 August 2026
Review: Circa’s Duck Pond – the place in which The Ugly Duckling and Swan Lake collide 24 December 202421 August 2026
[Review] Kontemporary Korea, A Festival of Korean Dance – original, cutting-edge 24 May 202421 August 2026
