Review: Marianela – Timeless, a love letter to the audience
Lily Hyde sees Marianela Nuñez in Marianela: Timeless – it is Nuñez’s night, and hers alone.
Lily Hyde sees Marianela Nuñez in Marianela: Timeless – it is Nuñez’s night, and hers alone.
The Royal Ballet is the first British company to perform the work of the contemporary choreographic duo Sol León and Paul Lightfoot.
After his debut in the ballet Mayerling, The Royal Ballet’s Calvin Richardson spoke with Lily Hyde about his dream role and his career as Principal Dancer.
Kathrina Farrugia-Kriel sees Wayne McGregor: Alchemies with The Royal Ballet – This exhilarating triple bill is the very essence of alchemies of curiosity: absorbing, engaging, daring.
Jonathan Gray sees Calvin Richardson’s debut in Mayerling with The Royal Ballet – Tall, elegantly proportioned, expressive and blessed with great physical strength.
Jonathan Gray sees a myriad of fine performances on Mayerling’s opening night, but none finer than Matthew Ball in Laura Morera’s detailed revival for The Royal Ballet.
Graham Watts praises Dance for Ukraine – a very fine show, worthy of fulsome support.
Kathrina Farrugia-Kriel sees Ballet to Broadway, The Royal Ballet’s programme of four Christopher Wheeldon works.
The Dance Section of the UK Critics’ Circle announces the short-listed nominations for the National Dance Awards (#NDA25).
The Royal Ballet’s 2025/26 Season with world premieres by Wayne McGregor, Cathy Marston, Akram Khan and Sol León and Paul Lightfoot.
Lucía Piquero Álvarez sees Royal Ballet in Crystal Pite’s Light of Passage (Flight Pattern, Covenant, Passage) – a masterpiece from the master of movement.
Matthew Paluch sees Lauren Cuthbertson and Ryoichi Hirano in Onegin with The Royal Ballet – “it’s high octane drama”
Here is a preview of The Royal Ballet casting for next year’s productions of Onegin, Light of Passage, and the double bill Phaedra + Minotaur.
Graham Watts sees Ballet Under the Stars at Hatch House with an “outstanding mix of established and emerging talent”.
Director of The Royal Ballet, Kevin O’Hare, has announced the promotions and the joiners and leavers for The Royal Ballet’s 2024/25 Season.
The Royal Ballet has announced casting for the Christmas run of Cinderella including the Cinema Relay on Tuesday 10th December 2024.
The Royal Ballet celebrates Founding Choreographer Frederick Ashton with two special programmes and welcomes Sarasota Ballet.
The Winter’s Tale will, I predict, be the ballet for which Wheeldon will be best remembered in the future.
The Royal Ballet 2024-2025 – I talked with Royal Ballet director Kevin O’Hare about the programming, new initiatives, tradition… and a new name!
The Royal Ballet has announced the casting for its Ashton Celebrated programmes (June 2024) with choreography by Frederick Ashton.
The Royal Ballet presents MacMillan’s Manon, 50 years since its 1974 premiere, and 100 years since the death of its designer Nicholas Georgiadis.
Akane Takada with Nicol Edmonds and Laura Morera with Matthew Ball head two debut casts in The Royal Ballet’s new production of Ashton’s Cinderella.
Pam Tanowitz’s second world premiere for The Royal Ballet this Season is part of a special programme in the Linbury Theatre.
Guest author Matthew Paluch sees Mayerling at The Royal Opera House with Marcelino Sambé and Francesca Hayward – a night full of dazzling performances.
Guest author Matthew Paluch looks at celebrating 60 years of The Friends of Covent Garden in a varied programme for The Royal Ballet: A Diamond Celebration.
Guest author Matthew Paluch reviews the opening night of Crystal Pite’s Light of Passage, her first full-length ballet for The Royal Ballet.
The curtain has just gone down on the opening night of Crystal Pite’s new ballet Light of Passage at the Royal Ballet. Here are some photos.
The Royal Opera House has launched its new streaming service with 45 performances and 85 behind-the-scenes features.
Studio Wayne McGregor has announced four world premieres, two European premieres, five revivals, and celebrations for 30 years of Company Wayne McGregor
In the May issue of Dancing Times, I write about the European premiere of Touché, a lockdown creation for ABT by Christopher Rudd, and Jewels at La Scala.
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