Review: Seke Chimutengwende’s The Last Quartet – the future exists in the past 26 September 202626 September 2026
Review: Rhythm Riot – Balanchine outshines two world premieres at English National Ballet 25 September 202627 September 2026
Review: San Francisco Ballet’s Mere Mortals with Nikisha Fogo and Fernando Carratalá Coloma 13 September 202613 September 2026
Review: Tao of Glass – a collaboration by composer Philip Glass and director Phelim McDermott 9 August 202610 August 2026
Review: Cats – Drew McOnie’s new production is the epitome of passion and collective power, a huge hit! 7 August 20267 August 2026
Review: Night of the Guitar at the Flamenco Festival London 2026 – an intoxicating watch 4 July 202621 August 2026
Review: English National Ballet’s The Sleeping Beauty with Ivana Bueno and Lorenzo Trossello 29 June 202621 August 2026
Review: Acosta Danza Yunior’s Next Generation – nothing made my artistic soul soar 20 June 202621 August 2026
Review: Debuts 2 – Mayara Magri and Leo Dixon in The Royal Ballet’s La Fille mal gardée 8 June 202621 August 2026
Review: Thick & Tight in Papillons – performers and friends; a brilliantly creative space to reside in 2 May 202621 August 2026
Review: The Great Chevalier with the diva-ish enfant terrible and Artistic Director of the Ballet National Folklorique du Luxembourg 25 April 202621 August 2026
Review: Dutch National Ballet’s triple bill – Paquita | Carmen | 5 Tangos 27 February 202621 August 2026
Review: Contrasts – Paris Opera Ballet perform works by Trisha Brown, David Dawson, and Imre and Marne van Opstal 18 December 202521 August 2026
Review: Matthew Bourne’s The Red Shoes – distinct, visually arresting and magical 12 December 202521 August 2026
Review: Wayne McGregor’s Infinite Bodies and On the Other Earth in London 27 November 202521 August 2026
Review: The Royal Ballet is back with The Nutcracker – the magic really sings 23 November 202521 August 2026
Review: Shiraz by Armin Hokmi – an exercise in minimalism, repetition and patience 16 November 202516 November 2025
Review: Deciphers by Jean Abreu and Naishi Wang – not of any great interest 25 October 202521 August 2026
Review: Dam Van Huynh’s Exquisite Noise – the power of dissent when used for a valuable cause 11 October 202521 August 2026
