Review: Brigadoon at Regent’s Park Open Air Theatre – the show is a marvel 13 August 202521 August 2026
Review: Quadrophenia, a Mod Ballet – elevated by a brilliant creative team 29 June 202521 August 2026
Review: Rodgers & Hammerstein’s Dream Ballets – A Triple Bill in Regent’s Park 21 June 202521 August 2026
Review: Holly Blakey’s A Wound with Teeth & Phantom – whimsical wandering and militant drilling 12 April 202521 August 2026
Review: Julie Cunningham & Company in CROW and Pigeons – an impressive double bill, authentic, rigorous, conscientious and brave 28 March 202521 August 2026
Review: Natalia Osipova at the Linbury Theatre – Graham, Strømgren, Ashton 8 March 202521 August 2026
A ballerina says farewell – English National Ballet Lead Principal Erina Takahashi gives her final performance 19 January 202521 August 2026
Review: Ballet Shoes at the National Theatre – it’s life affirming stuff 17 January 202521 August 2026
Review: English National Ballet’s new Nutcracker – unimaginative, plodding, unmusical 4 January 202521 August 2026
Review: English National Ballet’s new production of Nutcracker – “…the house went Nuts!” 13 December 202421 August 2026
Review: Akram Khan’s GIGENIS, The Generation of the Earth – a masterclass in storytelling 21 November 202421 August 2026
Review: Meg Stuart and Tim Etchells in Shown and Told – the real deal… you can’t bottle this! 3 November 202421 August 2026
Review: Manuel Liñán’s ¡VIVA! – “powerful stuff to witness – overwhelming even” 18 October 202421 August 2026
Review: Diana Niepce’s The Other Side of Dance – “she’s a live sculpture in orbit” 17 October 202421 August 2026
Review: Chisato Minamimura, Mark of A Woman – “a masterclass in physical awareness” 7 September 20247 September 2024
Review: Ballet Nights 006 – high calibre works and artists going where the artistic wind takes them 5 September 202421 August 2026
Review: Wing Chun – a particular insight into cultural physicalisation 1 September 202421 August 2026
