After theatres were forced to close their doors three months ago, in Italy there is some tentative nudging to open them creating a chink of hope. As with the Arena in Verona, Pesaro and other summer Festivals that are putting on concerts or semi-staged presentations, Daniele Cipriani’s dance gala for the Ravenna Festival is a sign that art and artists are still with us. With a … [Read more...] about Italy’s first post-lockdown dance event is announced
Stuttgart Ballet
Photo Album: The Royal Ballet in Onegin with Natalia Osipova, Reece Clarke, Francesca Hayward, Matthew Ball and Gary Avis
John Cranko became acquainted with Alexander Pushkin’s verse-novel Eugene Onegin when he choreographed the dances for Pyotr Il'yich Tchaikovsky’s opera of the same name in 1952. He created his own distinctive version of Pushkin’s work in 1965 for the Stuttgart Ballet. Onegin displays all of Cranko’s genius as a narrative choreographer, featuring finely drawn characters who are … [Read more...] about Photo Album: The Royal Ballet in Onegin with Natalia Osipova, Reece Clarke, Francesca Hayward, Matthew Ball and Gary Avis
Dancing Times, February edition – including Gramilano’s Danza in Italia column with La Scala’s new Nutcracker
Cover girl for the February edition of Dancing Times is Ballet Black’s Isabela Coracy, photographed by Angela Zaremba, who is the Dancer of the Month. It was announced recently that Ballet Black will be collaborating with Birmingham Royal Ballet during its next season. Editor Jonathan Gray interviews Northern Ballet’s Javier Torres, Nicola Rayner meets Bonnie Langford who is … [Read more...] about Dancing Times, February edition – including Gramilano’s Danza in Italia column with La Scala’s new Nutcracker
William Forsythe on working as a stripper – “It’s great money” – and working with dancers – “You revive their faith”
In an interview to coincide with William Forsythe’s A Quiet Evening of Dance at Sadler’s Wells, The Sunday Times’ David Jay spoke to the choreographer about a period as a young man when he worked as ‘a club dancer’. Forsythe was quick to correct: I worked as a stripper. Why not? It’s great money. Refreshingly forthright. It’s difficult to imagine Frederick Ashton saying such … [Read more...] about William Forsythe on working as a stripper – “It’s great money” – and working with dancers – “You revive their faith”
BALLET2000’s Special New Year Issue… in English, Italian and French Editions
BALLET2000’s Special New Year Issue, is on the newsstands now. It looks back on a year in dance with, says editor Alfio Agostini, …the best shows, trendiest dancers, most significant companies and most creative choreographers. The bi-monthly dance magazine, uniquely, comes out in three separate editions: Édition FRANCE, ENGLISH Edition and Edizione ITALIA. Each year it … [Read more...] about BALLET2000’s Special New Year Issue… in English, Italian and French Editions