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- dance, opera, photography...

Lucía Piquero

Lucía Piquero was born in Asturias, Spain, where she trained in Classical Ballet and read for a BSc in Psychology. She moved to London where she trained in contemporary dance (LCDS), also getting an MA in Choreography (Middlesex University). Lucía has been an independent dancer and choreographer since 2007, her choreographies have been presented internationally and she has been commissioned by choreographic centres, national companies and festivals.

She was lecturer and head of the Dance Studies Department at the University of Malta, and Senior Lecturer at Dance City (Newcastle), and is currently lecturing at Trinity Laban and English National Ballet School. She completed her PhD at the University of Roehampton. Her main research interest is on embodied emotion and cognition in dance, she has presented in conferences and directed workshops and practice research projects internationally, and published articles and chapters in diverse platforms as well as her own monograph.

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About Lucía Piquero

Lucía Piquero Álvarez was born in Asturias, Spain, where she trained in Classical Ballet and read for a BSc in Psychology. She moved to London where she trained in contemporary dance (LCDS), also getting an MA in Choreography (Middlesex University). Lucía has been an independent dancer and choreographer since 2007, her choreographies have been presented internationally and she has been commissioned by choreographic centres, national companies and festivals.

She was lecturer and head of the Dance Studies Department at the University of Malta, and Senior Lecturer at Dance City (Newcastle), and is currently lecturing at Trinity Laban and English National Ballet School. She completed her PhD at the University of Roehampton. Her main research interest is on embodied emotion and cognition in dance, she has presented in conferences and directed workshops and practice research projects internationally, and published articles and chapters in diverse platforms as well as her own monograph.

Review: Ballet Black’s 25th Anniversary – a timely, powerful, inspiring, honest show of dance

8 March 2026 by Lucía Piquero Leave a Comment

Ballet Black in Hope Boykin’s ...all towards hope. Photo by ASH

Lucía Piquero sees Ballet Black celebrating its 25th anniversary – these dancers are powerful people, powerful presences, honest and human... We cannot ask for more in the world of dance. Title…all … [Read more...] about Review: Ballet Black’s 25th Anniversary – a timely, powerful, inspiring, honest show of dance

Review: Tanztheater Wuppertal’s Sweet Mambo… Oh, dear Pina, I fear we are lost

13 February 2026 by Lucía Piquero Leave a Comment

Pina Bausch, Sweet Mambo, Image Credit Karl-Heinz Krauskopf

Lucía Piquero sees Tanztheater Wuppertal in Pina Bausch's Sweet Mambo, showing the best and worst of us… and we love it. TitleSweet MamboCompanyTanztheater WuppertalVenueSadler's Wells Theatre, … [Read more...] about Review: Tanztheater Wuppertal’s Sweet Mambo… Oh, dear Pina, I fear we are lost

Review: Royal Ballet’s Woolf Works – Seamless Sensations of Embodied Memory

18 January 2026 by Lucía Piquero 2 Comments

Natalia Osipova in Wayne McGregor's Tuesday in Woolf Works (c)2026 Johan Persson

Lucía Piquero sees the Royal Ballet in Wayne McGregor’s Woolf Works – a work resonating with the need to question what and how dance does. TitleWoolf WorksCompanyThe Royal BalletVenueThe Royal Ballet … [Read more...] about Review: Royal Ballet’s Woolf Works – Seamless Sensations of Embodied Memory

Review: Ballet Black’s Shadows – More of this please!

28 November 2025 by Lucía Piquero Leave a Comment

Cassa Pancho’s My Sister, The Serial Killer - Ballet Black, Shadows, Image Credit ASH

Lucía Piquero sees Ballet Black's double bill Shadows, by female choreographers Cassa Pancho and US-based choreographer Chanel DaSilvas. TitleShadows: A Shadow Work & My Sister, the Serial … [Read more...] about Review: Ballet Black’s Shadows – More of this please!

Review: English National Ballet’s R:Evolution – a beautiful dance down memory lane

5 October 2025 by Lucía Piquero Leave a Comment

Theme and Variations - Alice Mariani, Ricardo Castellanos and company - ENB 2025 photo by Dasa Wharton - 3

Lucía Piquero sees English National Ballet’s mixed bill with a “company full of energy and vision, galvanised through dancers you cannot stop looking at”. TitleR:EvolutionTheme and Variations, … [Read more...] about Review: English National Ballet’s R:Evolution – a beautiful dance down memory lane

Review: Ballet BC double bill – Frontier and PASSING… we’re a universe in ourselves

23 May 2025 by Lucía Piquero 2 Comments

Ballet BC, Double Bill PASSING by Johan Inger, Image Credit Michael Slobodian

Lucía Piquero sees Crystal Pite's Frontier and Johan Inger’s work PASSING with Canada's Ballet BC, on tour – dance that gives a sense of life. TitleCrystal Pite's Frontier - Johan Inger’s … [Read more...] about Review: Ballet BC double bill – Frontier and PASSING… we’re a universe in ourselves

Review: Lost Dog’s “Paradise Lost (lies unopened beside me)” – dance and a god I could believe in

23 March 2025 by Lucía Piquero Leave a Comment

Lost Dog in 'PARADISE LOST' starring Sharif Afifi photo by Zoe Manders 1

Lucía Piquero appreciates Lost Dog’s dry humour in its production of Paradise Lost (lies unopened beside me) with Sharif Afifi. TitleParadise Lost (lies unopened beside me)CompanyLost … [Read more...] about Review: Lost Dog’s “Paradise Lost (lies unopened beside me)” – dance and a god I could believe in

Review: Royal Ballet in Crystal Pite’s Light of Passage – Serenity, poignancy, and a little bit of idealism

23 February 2025 by Lucía Piquero Leave a Comment

Nadia Mullova-Barley in Light of Passage, The Royal Ballet, 2025 RBO photo by Camilla Greenwell

Lucía Piquero sees Royal Ballet in Crystal Pite’s Light of Passage (Flight Pattern, Covenant, Passage) – a masterpiece from the master of movement. TitleLight of Passage – Flight Pattern - Covenant … [Read more...] about Review: Royal Ballet in Crystal Pite’s Light of Passage – Serenity, poignancy, and a little bit of idealism

Review: Oedipus at the Old Vic – striking trees, but not quite a forest

6 February 2025 by Lucía Piquero Leave a Comment

Dancers from the Hofesh Shechter Company in Oedipus at The Old Vic (2025). Photo by Manuel Harlan. (2)

Lucía Piquero sees Oedipus at the Old Vic with Rami Malek, Indira Varma and Hofesh Shechter's choreography, but finds a disjointed feeling to the whole production. TitleOedipus CompanyThe Old … [Read more...] about Review: Oedipus at the Old Vic – striking trees, but not quite a forest

Review: Lost Dog’s ‘Ruination’ – the physicalising of raw humanity

10 December 2024 by Lucía Piquero Leave a Comment

Lost-Dog-Ruination-10

Lucía Piquero sees Lost Dog in Ruination at the Royal Opera House – makes you laugh and cry and feel a sense of hope too. TitleRuinationCompanyLost DogVenueLinbury Theatre, The Royal Opera House, … [Read more...] about Review: Lost Dog’s ‘Ruination’ – the physicalising of raw humanity

Review: Wayne McGregor’s Maddaddam – a beautiful, missed opportunity

18 November 2024 by Lucía Piquero 1 Comment

Melissa Hamilton (Toby) in Wayne McGregor's MADDADDAM (c) 2024 RBO. Ph Andrej Uspenski (1)

Lucía Piquero sees the Royal Ballet in the European premiere of Wayne McGregor’s Maddaddam – it fails to achieve the emotionally charged embodied power of some of his other … [Read more...] about Review: Wayne McGregor’s Maddaddam – a beautiful, missed opportunity

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Gramilano newsletter 2019

INTERVIEWS

Delphine Galou © Giulia Papetti

Interview with contralto Delphine Galou: “making music together with love”

Eleonora Buratto, photo by Dario Acosta crop

[Interview] Talking with soprano Eleonora Buratto about Hoffmann, perfume and spumante

Lauren Cuthbertson by Clive Barda

Interview with The Royal Ballet’s Lauren Cuthbertson – so much passion

17th WBF Programme B - 12 Le Parc - Ferri & Bolle, photo Kiyonori Hasegawa

Interview: Roberto Bolle on turning 50 – I want to bring all those years to the stage

Bryn Terfel in Grange Park Opera's Fiddler on the Roof

Bryn Terfel and his first UK opera appearance after lockdown

Cris Devil - Trash Dance - Zanini Arte

Interview: Italian artist Cris Devil – creating his artistic world with irony and passion

Alessandra Ferri an Eleonora Duse © Kiran West

Alessandra Ferri: The art of becoming a couple is the gamble of a lifetime

Roberto Bolle, photo by Bruce Weber 2008 crop

Dancing Words – Roberto Bolle talks about his new book

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GRAMILANO

Graham Spicer, aka 'Gramilano', is a writer, director and photographer based in Milan. He was a regular columnist for Opera Now magazine and wrote for the BBC until transferring to Italy. His articles have appeared in various publications from Woman's Weekly to Gay Times, and he wrote the Danza in Italia column for Dancing Times magazine. Graham was the historical advisor on Codice Carla, the 2023 documentary on Carla Fracci.

Graham also works as a dance photographer, and his photos have appeared in books, theatre programmes, and magazines, including Dancing Times, Dance Spirit and Ballet2000, as well as all the major Italian newspapers.

He is a member of the Dance Section of The Critics’ Circle.

Since 2022, Gramilano has been pleased to welcome guest authors: Paul Arrowsmith, Donatella Bertozzi, Georgina Butler, Kathrina Farrugia-Kriel, Jonathan Gray, Marina Harss, Ann Haskins, Lily Hyde, Marta Mele, Matthew Paluch, Jann Parry, Lucía Piquero, Graham Watts, Deborah Weiss, and Lydia Wharf.

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