Gramilano

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Rome Opera Ballet

In conversation with Marianela Nuñez

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The Royal Ballet’s Argentinian principal dancer, Marianela Nuñez, is in lockdown in Buenos Aires. She went there to be near her family and partner, because now home, for Nela, is London, which also happens to be home to her beloved company at The Royal Opera House.

We caught up via Skype in June: I was in my office in Milan, and Nela was 11,000 km away, sitting against an orange wall which steadily turned maroon then almost black as the day drew in.

Lockdown in Argentina! How’s that working out?

It’s very strict here. We started lockdown at the same time as England, pretty much – I know you in Italy started earlier. There were only a few cases, but obviously here there are more difficulties compared to Europe, and they were worried that the health system would collapse.

Étoile Eleonora Abbagnato in isolation on Ibiza

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The children were on a break from their school, the Lycée français in Rome, so we went to our house on Ibiza, and now we’re blocked here. We haven’t been out for three weeks. It’s a drama here too.

And that’s how the étoile of the Paris Opera Ballet and director of the Rome Opera Ballet Eleonora Abbagnato finds herself in isolation on the Spanish island of Ibiza.

Balletto di Roma in Io, Don Chisciotte: compact yet powerful storytelling

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The Balletto di Roma’s take on Don Quixote – Io, Don Chisciotte (I, Don Quixote) – is a thoroughly successful reimagining of the story that uses the Minkus ballet score for an hour of compact yet powerful storytelling. The Balletto di Roma is not to be confused with the Rome Opera Ballet: it is a contemporary dance group, founded sixty years ago in Italy’s capital.

The choreographer is Fabrizio Monteverde, who, at the age of 56 in 2014, surprisingly decided to retire to Cuba “in search of a new creative space”. His return was because he felt he had something to say with this tale of outsiders.

Danza&Danza Awards 2019 announced

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The critics of the Italian magazine Danza&Danza (which also has an edition in English) huddle together at the beginning of each year to decided the ‘best’ of the previous year in Italian dance and dance seen in Italy. The jury, since 1987, has always underlined its objectivity and honesty in its selection of interpreters, productions […]

Rome Opera Ballet names its main dance studio after the late Elisabetta Terabust

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The Intendant at Rome Opera, Carlo Fuortes, and the director of the opera house’s ballet company, Eleonora Abbagnato, together with theatre employees, today inaugurated the Sala Elisabetta Terabust, the main ballet rehearsal room, formerly known as Sala Ballo A. Virginia Raggi, Rome’s mayor, said, Elisabetta Terabust, a woman with a strong personality, was appreciated throughout […]

Dancing Times, September edition – with Gramilano’s Danza in Italia column including Woolf Works at La Scala and a Glass triple bill in Rome

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The latest issue of Dancing Times is out tomorrow. In September’s issue, I cover Wayne McGregor’s “amazing” Woolf Works at La Scala with Alessandra Ferri giving a “frighteningly intense” performance alongside an excellent cast from La Scala Ballet including “powerful and touching” performances from Timofej Andrijashenko as Septimus and Claudio Coviello as Evans, and Gioacchino […]

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