Interview: Choreographer Dickson Mbi on Tellus, an ancient story for modern times 6 October 20267 October 2026
Review: Compañía Marco Flores in Rayuela concludes the London Flamenco Festival 2026 9 July 202621 August 2026
Review: Shobana Jeyasingh Dance in We Caliban, an ‘inventive, sideways look’ at The Tempest 28 April 202621 August 2026
Review: Gecko’s The Wedding – a feeling of randomness and surprise… and tedium 25 January 202621 August 2026
Review: Andrea Peña & Artists in Bogotá – dozing off was an instinctive temptation 6 October 202521 August 2026
Review: Michael Keegan-Dolan’s How to be a Dancer in Seventy-Two Thousand Easy Lessons 20 September 202521 August 2026
Review: Aakash Odedra is captivating in Songs of the Bulbul combining strength with grace 21 July 202521 August 2026
Review: Phoenix Dance Theatre’s Inside Giovanni’s Room – a brave and daring proposition 13 June 202521 August 2026
Review: Diaghilev and the Birth of Modern Ballet with Birmingham Royal Ballet 2 11 May 202521 August 2026
Inside Giovanni’s Room – Black author James Baldwin’s 100th anniversary celebrated in dance 8 May 202521 August 2026
