Genevieve Penn Nabity swapped the Four Seasons Centre stage for the Rogers Centre mound, throwing the first pitch at the Toronto Blue Jays’ game.
For dancers over 40, retirement is close. A new company, WINNDance, is challenging that assumption.
American Ballet Theatre’s two seasons at the David H. Koch Theater in 2026-2027 were announced by Artistic Director Susan Jaffe.
English National Ballet’s First Artist Anri Sugiura shares her journey from Japan to London, her debut at the Royal Albert Hall, and her pursuit of excellence.
Scott C Morgan sees Yuri Possokhov’s Eugene Onegin with a new lush, cinematic score by Ilya Demutsky – with dashing José Pablo Castro Cuevas and masterful Victoria Jaiani.
Joffrey Ballet’s 2026-2027 season includes premiere of Christopher Wheeldon’s The Sleeping Beauty, and the Chicago premiere of John Neumeier’s ballet Liliom.
Dance writer Graham Watts looks back at a year of dance and chooses 12 performances from the 157 he saw during 2025.
‘Travel’ is the theme chosen by Artistic Director Cecilia Bartoli for the Salzburg Whitsun Festival 2026, which runs from 22 to 25 May.
Rocio Aleman was born in Monterrey, Mexico. In 2008 she went to Stuttgart to train at the John Cranko Schule, in 2011 she joined the Stuttgart Ballet becoming Principal Dancer in 2021.
Graham Spicer sees Gala Mario Porcile at the Nervi Festival, with dancers from The Royal Ballet, Hamburg, Dutch and Bavarian State Ballet companies, and ABT.
This evening, the Nervi International Ballet Festival 2025 closes with a gala dedicated to its founder – the Mario Porcile Gala – with international stars.
Interview with Hamburg Ballet’s principal dancer Jacopo Bellussi, the new Artistic Director of Nervi International Ballet Festival.
Today is Roberto Bolle’s 50th birthday and for the occasion we have published online my interview with him for Dancing Times magazine.
Laurent Hilaire has presented the Bayerisches Staatsballett’s 2025-2026 season, which sees three new mixed bills, world premieres, and house debuts.
Graham Spicer sees the Les Étoiles galas in Milan with ballet stars in thrilling pas de deux and seductive modern repertoire.
Graham Spicer sees John Neumeier’s La Dame aux camélias with wonderful performances from two casts but gets itchy for it to end.
Matthew Paluch sees John Neumeier’s La Dame aux Camélias in Milan – Martina Arduino’s Marguerite has no affectation or mannerisms and feels genuine and human.
La Scala’s video channel will stream John Neumeier’s Dame aux camélias live with Roberto Bolle and Nicoletta Manni.
After ten seasons with The National Ballet of Canada, Principal Dancer Jurgita Dronina will say farewell at the end of the 2024/25 season.
Matthew Paluch sees the Programme B gala at the 17th World Ballet Festival in Tokyo with 33 of the world’s top dancers.
Matthew Paluch sees the Programme A gala at the 17th World Ballet Festival in Tokyo with 33 of the world’s top dancers.
Director of La Scala’s ballet company, Manuel Legris, has announced the 2024-2025 Season.
English National Ballet School has announced that dancer, teacher, and creator of 4Pointe, Lynne Charles will become its new Artistic Director.
The annual Les Étoiles gala series in Rome kicks off tonight for four performances (15-17 March) at the Auditorium Parco della Musica in Rome.
San Francisco Ballet Principal Dancer Yuan Yuan Tan will give her final performance with the company on 14 February in Ashton’s Marguerite and Armand.
Mosaic International Dance Festival, the “preamble” to a much bigger festival in November 2024 – the ambition is to make Dubai a go-to city for dance.
London City Ballet returns to theatres next year, directed by Christopher Carney, former artistic director of Joffrey Ballet Studio Company of Chicago.
After her debut as Juliet in John Cranko’s Romeo and Juliet, Mackenzie Brown was promoted to Principal Dancer at Stuttgart Ballet.
Can art, in this case dance, be a protection from politics? Do you become a collaborator if your work is helping to fill the coffers of the regime?
Tamas Detrich’s career with Stuttgart Ballet spans 45 years – as a dancer and since 2018 as artistic director. He, and four of his company, talk to Gramilano.
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