Mar 282013
 

Lefevre Abbagnato Eleonora Abbagnato is named étoile of the Paris Opera Ballet has been named “étoile” of the Bal­let. Finally, one might add, and indeed the former dir­ector of the dance school of the , Claude Bessy, said just that. She was in the theatre with Abbagnato’s hus­band, foot­baller Fed­erico Balzar­etti, full­back at AS Roma, and many other mem­bers of the dancer’s fam­ily, except her one-year-old daughter.

The 34-year-old baller­ina, was pro­moted to the top rank after a per­form­ance of ’s Car­men by the dir­ector of the Opera Bal­let,  Bri­gitte Lefèvre, and Nic­olas Joel, dir­ector of the Opéra National de Paris. Abbag­nato joined the corps de bal­let at the Paris Opera in 1996, and became prima baller­ina in 2001, and although she has con­sist­ently danced lead­ing roles with the com­pany, the final pro­mo­tion has been a long time coming.

It was Petit who first spot­ted Abbagnato’s tal­ent when she was just eleven, and Bessy con­vinced her to leave Italy for the Paris school when she was 12.

[Bessy] saw me as her double. We clashed, we yelled at each other con­stantly, but she taught me everything and she was always there to watch my performances.

Abbag­nato recoun­ted to Figaro;

Since I was 19, I have danced with the greatest bal­let dan­cers: Manuel Legris , Laurent Hil­aire and all the biggest stars — it was a great oppor­tun­ity. A career is very dif­fi­cult, and my jour­ney has been long.

Abbag­nato has always been out­spoken. As younger dan­cers were pro­moted ahead of her she became impa­tient. She returned to Italy for long peri­ods and has become a well known media per­son­al­ity and artistic dir­ector of the Teatro Pet­ruzelli in Bari. She dances reg­u­larly in Rome and on tour with her “& Friends” group, but she didn’t let Paris go, and her determ­in­a­tion has paid off.

Her next appear­ances in Paris will be at the Opera Bastille, in the Third Sym­phony of Gustav Mahler by John Neumeier on 9, 13, 16 and 18 April. The last per­form­ance will be broad­cast live in cinemas around the world.

 

Photo: , left, and Ele­onora Abbagnato


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  • wp socializer sprite mask 16px Eleonora Abbagnato is named étoile of the Paris Opera Ballet
  • wp socializer sprite mask 16px Eleonora Abbagnato is named étoile of the Paris Opera Ballet
  • wp socializer sprite mask 16px Eleonora Abbagnato is named étoile of the Paris Opera Ballet
  • wp socializer sprite mask 16px Eleonora Abbagnato is named étoile of the Paris Opera Ballet
  • wp socializer sprite mask 16px Eleonora Abbagnato is named étoile of the Paris Opera Ballet
Dec 062012
 

Evan McKie Albrecht Evan McKie answers the Gramilano Questionnaire… Dancers’ EditionQ&A

When did you start dan­cing?
In the womb.

Why did you start dan­cing?
I will prob­ably never know the answer to that. I just know why I keep doing it.

Which dan­cer inspired you most as a child?
Rudolph, Pina, Kazuo Ohno, Gregory Hines, Erik Bruhn , Karen Kain, Evelyn Hart, Robert Tews­ley, Lynn Sey­mour, , Shir­ley Maclaine, Uly­ana Lopatk­ina, Mar­got Fon­teyn, Anthony Dow­ell, Sylvie, Carla, Eva Evdokimova, Douglas Lee, Galina Mezent­seva, Farukh Ruz­i­matov, Wil­liam For­sythe, Dana Casper­son, John Neumeier, Mar­cia, Wendy Whelan, Tina Turner, the cast of the Chorus Line movie, Mickey Mouse on that Steamboat…

Which dan­cer do you most admire?
I admire any­one who dances in this world.

What’s your favour­ite role?
One­gin, the Fool in Lady and the Fool, Lensky, Ham­let, Albrecht, Offer­torium in MacMillan’s Requiem… I’ll give you more when I retire one day.… [con­tinue reading]

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Jan 082012
 
Q&A

Petra Conti Petra Conti answers the Gramilano Questionnaire… Dancers’ EditionWhen did you start dan­cing?
1988

Why did you start dan­cing?
It was nat­ural and spontaneous.

Which dan­cer inspired you most as a child?
Baryshnikov.

Which dan­cer do you most admire?
Those who give their heart and soul on stage.

What’s your favour­ite role?
All the Romantic ones.

What role have you never played but would like to?
John Neumeier’s “La Dama delle Camelie”.

What’s your favour­ite bal­let to watch?
Any­thing by Les Bal­lets Trock­a­dero de Montecarlo!!!

Who is your favour­ite cho­reo­grapher?
There are more than one.

Who is your favour­ite writer?
J. K. Rowl­ing icon smile Petra Conti answers the Gramilano Questionnaire… Dancers’ Edition

Who is your favour­ite dir­ector?
I don’t have a par­tic­u­lar favour­ite, but I admire many.

Who is your favour­ite actor?
Audrey Hepburn

Who is your favour­ite singer?[con­tinue reading]

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Dec 272011
 

Q&A

Paul Chalmer Paul Chalmer answers the Gramilano Questionnaire… Dancers’ EditionWhen did you start dan­cing?
Age  6, then National Bal­let School, , age 9.

Why did you start dan­cing?
Saw bal­let on TV.

Which dan­cer inspired you most as a child?
Nureyev.

Which dan­cer do you most admire?
Anthony Dowell.

What’s your favour­ite role?
One­gin by John Cranko.

What role have you never played but would like to?
Des Grieux in Manon by MacMillan.

What’s your favour­ite bal­let to watch?
Any­thing by Balanchine.

Who is your favour­ite cho­reo­grapher?
Balanchine.

Who is your favour­ite writer?
Vir­ginia Woolf.

Who is your favour­ite dir­ector?
Visconti

Who is your favour­ite actor?
Bette Davis.

Who is your favour­ite singer?
Maria Callas.

What is your favour­ite book?
Orlando by Vir­ginia Woolf.

What is your favour­ite film?[con­tinue reading]

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Aug 312011
 

Lucía Lacarra Marlon Dino Dame aux Camélias Grand Gala at the Kremlin with stars from Hamburg, Stuttgart, Bolshoi, Mariinsky, Mikhailovsky and Béjart companiesStars from the Ham­burg Bal­let are head­ing to Moscow for a Krem­lin Gala show on Septem­ber 17 and 18. Soloists will per­form vari­ous pieces by John Neumeier, the artistic dir­ector of the Ham­burg Bal­let, who will be the spe­cial guest at the gala .

Two lead­ing soloists of the Ger­man troupe, Héléné Bouchet and Thi­ago Bor­din, will dance the “Adagi­etto” from Gustav Mahler’s Fifth Sym­phony and “Med­it­a­tion” from Neumeier’s “Illu­sions — like Swan Lake.”

The Krem­lin Gala pro­gramme will also fea­ture a pas de deux from “La Dame aux Camélias” by Bav­arian National Bal­let dan­cers Lucia Lacarra and Mar­lon Dino.

The Mariinsky’s prima baller­ina Diana Vish­neva will première a new work by Cana­dian cho­reo­grapher, Edou­ard Lock, with his com­pany La La La Human Steps.… [con­tinue reading]

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Jun 292011
 

583px Rudolph Nureyev 6 Allan Warren 400x411 Manuel Legris Nureyev tribute ends the Vienna Ballet seasonA trib­ute to Rudolf Nureyev topped off a hit sea­son for ’s Bal­let with the former French star provid­ing two of the high­lights. The Nureyev Gala, due to become an annual event, marked the end of Legris’s first sea­son as dir­ector of the ensemble, which has seen a renais­sance on his watch. The dan­cer also kept his prom­ise to appear on the stage this season.

Clock­ing over three hours, not includ­ing inter­ludes, the mara­thon even­ing kept the audi­ence enthralled with a mix­ture of genres, pas de deux and set pieces. In total, 13 pieces fol­lowed in quick suc­ces­sion, cho­reo­graphed by Nureyev or con­tem­por­ar­ies like , Ken­neth Mac­Mil­lan, Maurice Bejart and Wil­liam Forsythe.

“Before Night­fall” by Nils Christe, a mod­ern piece with four couples, presen­ted a first breath of fresh air, with Nina Polakova and Mikhail Sosnovs­chi steal­ing the show. … [con­tinue reading]

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Jun 212011
 

diana vishneva three point turn Diana Vishneva celebrates her 15 years on stage with a ballet gala and exhibition in St PetersburgDiana Vish­neva will cel­eb­rate the 15th anniversary of her dan­cing career later this week with an exhib­i­tion and a bal­let gala.

The exhib­i­tion, fea­tur­ing phở­to­graphy and video mater­ial of Vishneva’s dan­cing, opens at the Museum of Theatre and Music Arts in tomor­row, June 22. The gala, with a pro­gram built around sev­eral con­tem­por­ary dance pro­duc­tions, will take place at the Mari­in­sky Theater on June 23.

“I’m in no way try­ing to sum any­thing up with this exhib­i­tion. It’s an attempt to talk about what interests me at this moment. Earlier this year, we showed Angelin Preljocaj’s ‘Le Parc’ at the Mari­in­sky Theater. I then went on to pre­pare ‘Lady of the Camel­lias,’ one of my favor­ites. And now I’m focused on my work with the Martha Gra­ham company.”

Vish­neva, who has been dan­cing with the since 2005, said she will present “Anna Karen­ina” at the Met­ro­pol­itan Opera in New York in July, a new pro­duc­tion that is ded­ic­ated to Maya Plis­et­skaya.… [con­tinue reading]

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