Royal Ballet School centenary gala sees students alongside The Royal Ballet and Birmingham Royal Ballet
The Royal Ballet, Birmingham Royal Ballet and The Royal Ballet School unite to celebrate a century of training and artistic legacy.
The Royal Ballet, Birmingham Royal Ballet and The Royal Ballet School unite to celebrate a century of training and artistic legacy.
Kenneth MacMillan’s Manon opens The Royal Ballet’s 2026/27 season, with performances from 13 October and a live cinema relay on 27 October.
The talented, well-respected, and much-loved photographer Elliott Franks has died at his London home at age 62.
Lily Hyde sees Marianela Nuñez in Marianela: Timeless – it is Nuñez’s night, and hers alone.
Graham Spicer talked with choreographers Sol León and Paul Lightfoot – León and Lightfoot – after the opening night of their new double bill for The Royal Ballet.
Kathrina Farrugia-Kriel flavours the spirit of contemporary ballet in León and Lightfoot’s Shoot the Moon and Salle de Danse for The Royal Ballet.
Graham Watts sees The Royal Ballet’s La Fille mal gardée with Sae Maeda making her debut as Lise with sunshine, smiles, soaring legs and coy naughtiness.
The Royal Ballet is the first British company to perform the work of the contemporary choreographic duo Sol León and Paul Lightfoot.
On 14 May, after 3 decades and tens of thousands of performances, the Royal Ballet and Opera unveils its new stage curtains as part of a Gala performance.
Kathrina Farrugia-Kriel sees Wayne McGregor: Alchemies with The Royal Ballet – This exhilarating triple bill is the very essence of alchemies of curiosity: absorbing, engaging, daring.
The Dance Section of the Critics’ Circle has announced the short-listed nominations for the National Dance Awards (#NDA26).
Jonathan Gray sees a myriad of fine performances on Mayerling’s opening night, but none finer than Matthew Ball in Laura Morera’s detailed revival for The Royal Ballet.
Lily Hyde sees Mayara Magri’s debut as Giselle and thinks it ‘will go on to be regarded as timeless and perennial as Wright’s ballet itself’.
Graham Watts sees Marcelino Sambé, Mayara Magri and Matthew Ball in Pierrot Lunaire, celebrating Glen Tetley’s centenary.
Graham Watts sees Decadance, the tenth iteration of Ballet Nights – a high-end brand that hits the mark every time.
The Royal Ballet celebrates the centenary of Glen Tetley’s birth this February with a revival of his masterwork Pierrot Lunaire.
Lily Hyde sees Ballet Nights’ New Year’s Day Concert and finds some very strange artistic choices, though enjoys several dazzling performances.
Jonathan Gray sees The Royal Ballet in a triple bill with works by George Balanchine, Justin Peck, and a world premiere from Cathy Marston: Against the Tide.
Graham Watts sees Like Water for Chocolate with Christopher Wheeldon bringing an extraordinary book to life in dance.
Graham Spicer sees Gala Mario Porcile at the Nervi Festival, with dancers from The Royal Ballet, Hamburg, Dutch and Bavarian State Ballet companies, and ABT.
This evening, the Nervi International Ballet Festival 2025 closes with a gala dedicated to its founder – the Mario Porcile Gala – with international stars.
Graham Spicer sees The Royal Ballet and Paris Opera Ballet at the Nervi Festival, with the London company pulling aces out of its sleeve.
Kathrina Farrugia-Kriel sees Ballet to Broadway, The Royal Ballet’s programme of four Christopher Wheeldon works.
In four weeks, Quadrophenia, a Mod Ballet, opens in Plymouth and will tour the UK, including three weeks at London’s Sadler’s Wells theatre.
The Nervi International Ballet Festival 2025 opens on Saturday 28 June 2025 in Genoa with top companies offering starry casts.
Graham Watts sees the seventh iteration of the Ballet Nights brand – inevitably a mix of hit and miss but the hits are well worth it.
Ahead of BalletX’s UK debut during Ballet Nights on 1 April, artistic director Christine Cox talks about the company from Philadelphia she founded 20 years ago.
Georgina Butler sees London’s Ballet Icons Gala 2025 – an exceptional evening of ballet with a programme of 16 works, including premieres and a world premiere.
Jonathan Gray sees Romeo and Juliet with Yasmine Naghdi and Matthew Ball who continue to deepen and intensify their interpretations.
Here is a preview of The Royal Ballet casting for next year’s productions of Onegin, Light of Passage, and the double bill Phaedra + Minotaur.
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