Review: Hofesh Shechter’s In The Brain – if there’s no point, it’s pointless 2 August 20266 August 2026
Review: Alexander Whitley Double Bill, Mirror and Rite of Spring – missing the point? 31 March 202621 August 2026
Review: Akram Khan’s Giselle with English National Ballet – a triumph and danced with skill and understanding by an impressive cast 20 January 202621 August 2026
Review: Béjart Ballet with new works by Riva&Repele and Andonis Foniadakis – big, bold visions 20 December 202521 August 2026
Review: Hofesh Shechter’s Theatre of Dreams – “it’s nothing short of epic” 15 October 202421 August 2026
Review: London City Ballet’s Resurgence – energising and optimistic, sensitive yet bold 16 September 202417 September 2024
[Review] Matthew Bourne’s Edward Scissorhands – seasonal magic without getting tangled in the tinsel 18 December 202321 August 2026
