Review: Marianela – Timeless, a love letter to the audience
Lily Hyde sees Marianela Nuñez in Marianela: Timeless – it is Nuñez’s night, and hers alone.
Lily Hyde sees Marianela Nuñez in Marianela: Timeless – it is Nuñez’s night, and hers alone.
Davis Aloschi, a 15-year-old student at La Scala’s ballet school, died in a crash between two scooters.
La Scala announces its 2026-2027 Ballet Season with nine works, including five premieres and four new productions.
Diane Parkes talks to Carlos Acosta about Myths and Modern Masters, the mixed bill that he’ll present at The Royal Opera House in August.
Graham Watts sees La Bayadère in Oslo where two stellar dancers shared the stage with an excellent company.
Clinton Luckett spoke with Ann Haskins about the ABT ballerinas dancing Sylvia, Delibes’ music, and the challenges of the role created on Margot Fonteyn.
Marta Mele sees the bright colours and the tragedy of unattainable love in La Bayadère at Rome Opera House with Iana Salenko and Bakhtiyar Adamzhan.
Graham Spicer sees Rudolf Nureyev’s The Sleeping Beauty at La Scala with an electrifying Martina Arduino as Aurora.
The historic Porselli shop on Via Filodrammatici, opposite La Scala’s artists’ entrance, has closed after 55 years.
Dancer and ballet director Anna Razzi has died at 85. She was an étoile at La Scala and directed the ballet company and school at Teatro San Carlo in Naples.
English National Ballet’s 2026-2027 season “opens up the possibilities of ballet, offering more ways to discover, feel and engage with ballet, on stage and beyond”.
After last night’s performance of Sleeping Beauty at La Scala, soloist Navrin Turnbull was promoted to the role of Principal Dancer in the company.
La Scala Ballet Soloist Federico Fresi returned to dance on the opening night of the ballet season after a two‑year battle with a rare tumour.
Graham Watts sees Natalia Osipova in ‘Osipova/Linbury’ – “this remarkable star of 21st century ballet continues to expand her horizons”.
Marta Mele sees Marco Spada with Rome Opera Ballet, a ballet first restaged in Rome in 1981 by choreographer Pierre Lacotte for Rudolf Nureyev.
Giorgio Armani – who died yesterday in Milan at the age of 91 – was a pillar of Milanese cultural life, including his support for opera and ballet at Teatro della Scala.
Graham Spicer sees Gala Mario Porcile at the Nervi Festival, with dancers from The Royal Ballet, Hamburg, Dutch and Bavarian State Ballet companies, and ABT.
As the dance work based on Isherwood’s gay novel A Single Man comes to London’s Royal Opera House, Lily Hyde laments the lack of female queerness in ballet.
This evening, the Nervi International Ballet Festival 2025 closes with a gala dedicated to its founder – the Mario Porcile Gala – with international stars.
Graham Spicer sees Swan Lake at La Scala – one of Rudolf Nureyev’s most successful choreographies.
Les Étoiles Pour Homme – With a title that sounds like a men’s perfume producer Daniele Cipriani throws down a gauntlet to George Balanchine.
Interview with Hamburg Ballet’s principal dancer Jacopo Bellussi, the new Artistic Director of Nervi International Ballet Festival.
The first Ballet Season created by the new director Frédéric Olivieri sees popular revivals, contemporary voices, and 20th-century greats.
Graham Spicer sees Gala Fracci, La Scala’s annual festa to celebrate the great Italian ballerina Carla Fracci who died in 2021, now in its fourth edition.
The Italian Minister of Culture has nominated dance impresario Daniele Cipriani to direct the Spoleto Festival from 2026.
After seeing English National Ballet’s The Forsythe Programme, Kathrina Farrugia-Kriel reflects on William Forsythe’s career… so far.
The Nervi International Ballet Festival 2025 opens on Saturday 28 June 2025 in Genoa with top companies offering starry casts.
Today is Roberto Bolle’s 50th birthday and for the occasion we have published online my interview with him for Dancing Times magazine.
Manuel Legris leaves his post as director of La Scala Ballet and we look back to the moment he took over in 2020.
A book and an exhibition at La Scala’s Museum show the dancers of La Scala observed though the lens of Gérard Uféras.
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