Royal Ballet School centenary gala sees students alongside The Royal Ballet and Birmingham Royal Ballet
The Royal Ballet, Birmingham Royal Ballet and The Royal Ballet School unite to celebrate a century of training and artistic legacy.
The Royal Ballet, Birmingham Royal Ballet and The Royal Ballet School unite to celebrate a century of training and artistic legacy.
Kenneth MacMillan’s Manon opens The Royal Ballet’s 2026/27 season, with performances from 13 October and a live cinema relay on 27 October.
The Royal Ballet opens its 2026/27 Linbury Theatre season on 11 September with The McRae / Vassilev Project, a unique evening of music and dance.
The talented, well-respected, and much-loved photographer Elliott Franks has died at his London home at age 62.
Lily Hyde sees Marianela Nuñez in Marianela: Timeless – it is Nuñez’s night, and hers alone.
The winners of the 2025 National Dance Awards were announced today, marking the 26th anniversary of the awards (#NDA26).
The Royal Ballet is the first British company to perform the work of the contemporary choreographic duo Sol León and Paul Lightfoot.
Lily Hyde talks to William Bracewell about preparing to play Prince Rudolf in The Royal Ballet’s Mayerling, his acting process, and an unlikely source of inspiration.
The complete presentation, calendar and production details of the full Royal Ballet 2026-2027 Season.
The Dance Section of the Critics’ Circle has announced the short-listed nominations for the National Dance Awards (#NDA26).
Lily Hyde sees William Bracewell’s debut in Mayerling – one of The Royal Ballet’s most intelligent dancers, a singular performer who evades comparison.
Jonathan Gray sees a myriad of fine performances on Mayerling’s opening night, but none finer than Matthew Ball in Laura Morera’s detailed revival for The Royal Ballet.
Jonathan Gray sees Marianela Nuñez (sincerity that touches the heart) and William Bracewell (his dancing and partnering was magnificent) in Peter Wright’s Giselle.
Lucía Piquero sees the Royal Ballet in Wayne McGregor’s Woolf Works – a work resonating with the need to question what and how dance does.
Dance writer Graham Watts looks back at a year of dance and chooses 12 performances from the 157 he saw during 2025.
On the opening night of The Nutcracker season, the Royal Ballet and Opera celebrated choreographer Sir Peter Wright’s 99th birthday.
Matthew Paluch sees The Nutcracker with the Royal Ballet and Opera – top-notch entertainment of quality, where the gold sparkles more than anywhere else.
Jonathan Gray sees The Royal Ballet in a triple bill with works by George Balanchine, Justin Peck, and a world premiere from Cathy Marston: Against the Tide.
Jonathan Gray sees La Fille mal gardée at the Royal Ballet and Opera, one of Ashton’s greatest, funniest works with fizzing invention and humour unsurpassed.
As the dance work based on Isherwood’s gay novel A Single Man comes to London’s Royal Opera House, Lily Hyde laments the lack of female queerness in ballet.
Georgina Butler sees The Royal Ballet in Alice’s Adventures in Wonderland brought to brilliantly bonkers life with beautiful dancing and bold designs.
Kathrina Farrugia-Kriel sees Ballet to Broadway, The Royal Ballet’s programme of four Christopher Wheeldon works.
The Dance Section of the UK Critics’ Circle announces the short-listed nominations for the National Dance Awards (#NDA25).
The Nervi International Ballet Festival 2025 opens on Saturday 28 June 2025 in Genoa with top companies offering starry casts.
Jonathan Gray sees The Royal Ballet’s new Balanchine triple bill, Three Signature Works – competent, but rarely exciting.
Georgina Butler sees London’s Ballet Icons Gala 2025 – an exceptional evening of ballet with a programme of 16 works, including premieres and a world premiere.
Jonathan Gray enjoys the wonderful sweep and theatricality of John Cranko’s Onegin at the Royal Opera House, with passionate, complex and fully rounded performances.
Marianela Nuñez – who will dance in Rome 4 & 5 January – has been awarded an OBE for services to dance in His Majesty The King’s New Year’s Honours.
On 9 March 2025, the Ballet Icons Gala will fulfil its annual promise of presenting dancers from across the world to the London public.
Lucía Piquero Álvarez sees the Royal Ballet in McGregor’s Maddaddam – “it fails to achieve the emotionally charged embodied power of some of his other work”.
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