Review: Ballet Central mixed bill – Central School of Ballet’s graduate company
Graham Watts sees Ballet Central perform four works: Solitaire, BOLERO 18, REPLICA, and Times Square Ballet.
Graham Watts sees Ballet Central perform four works: Solitaire, BOLERO 18, REPLICA, and Times Square Ballet.
First Soloist Valentino Zucchetti is to leave The Royal Ballet after 16 years to pursue his choreographic and producing career.
Matthew Paluch sees The Sleeping Beauty at The Royal Albert Hall – good dancing with a digital backdrop that brings the story and score to life even more.
Graham Watts sees the opening night of The Sleeping Beauty at the Royal Albert Hall but is disappointed by a staging that militates against the magic.
English National Ballet’s First Artist Anri Sugiura shares her journey from Japan to London, her debut at the Royal Albert Hall, and her pursuit of excellence.
Graham Watts sees New Futures from Ballet Nights, featuring 150 dancers from seven leading dance schools, but it needed pruning and better management.
On 14 May, after 3 decades and tens of thousands of performances, the Royal Ballet and Opera unveils its new stage curtains as part of a Gala performance.
Lily Hyde talks to William Bracewell about preparing to play Prince Rudolf in The Royal Ballet’s Mayerling, his acting process, and an unlikely source of inspiration.
After his debut in the ballet Mayerling, The Royal Ballet’s Calvin Richardson spoke with Lily Hyde about his dream role and his career as Principal Dancer.
Ballet’s past, present, and future are explored in the 2026-2027 season, San Francisco Ballet announced this week.
The complete presentation, calendar and production details of the full Royal Ballet 2026-2027 Season.
Lily Hyde sees William Bracewell’s debut in Mayerling – one of The Royal Ballet’s most intelligent dancers, a singular performer who evades comparison.
Jonathan Gray sees Calvin Richardson’s debut in Mayerling with The Royal Ballet – Tall, elegantly proportioned, expressive and blessed with great physical strength.
Jonathan Gray sees a myriad of fine performances on Mayerling’s opening night, but none finer than Matthew Ball in Laura Morera’s detailed revival for The Royal Ballet.
Graham Watts admires the National Ballet of Brno’s Kafka – it’s a physical challenge to match the role of Rudolf in MacMillan’s Mayerling.
Matthew Paluch attended a Royal Ballet School Centenary Insight Day. Like the school’s founder, Ninette de Valois, he believes we need more than feelings; we need intelligence.
Lily Hyde sees New English Ballet Theatre at Royal Ballet & Opera in Covent Garden Choreographics – a company whose ambitions far outpace its resources.
Ballet stars will join Youth America Grand Prix to celebrate this year’s Stars of Today Meet the Stars of Tomorrow Gala on Thursday 16 April in New York.
Director of The Royal Ballet, Kevin O’Hare, today announced that Patricio Revé will join the Company as a Principal dancer from the start of the 2026/27 Season.
Dance writer Graham Watts looks back at a year of dance and chooses 12 performances from the 157 he saw during 2025.
Lily Hyde sees English National Ballet in Kenneth MacMillan’s 1987 version of The Sleeping Beauty, created for American Ballet Theatre.
Graham Watts sees Two Carpets, the new ballet for Astana Ballet Theatre – an outstanding new entry to the global ballet repertoire.
Rocio Aleman was born in Monterrey, Mexico. In 2008 she went to Stuttgart to train at the John Cranko Schule, in 2011 she joined the Stuttgart Ballet becoming Principal Dancer in 2021.
Ann Haskins talks to Tamara Rojo as she begins her third season as Artistic Director of San Francisco Ballet.
American Ballet Theatre announces programme to honour Misty Copeland at Fall Gala celebration on Wednesday 22 October 2025 at the Lincoln Center.
Graham Spicer sees Gala Mario Porcile at the Nervi Festival, with dancers from The Royal Ballet, Hamburg, Dutch and Bavarian State Ballet companies, and ABT.
This evening, the Nervi International Ballet Festival 2025 closes with a gala dedicated to its founder – the Mario Porcile Gala – with international stars.
The Marchesi Incisa della Rocchetta Winery hosted Royal Ballet dancers in Piedmont, Italy, for Rocchetta Grand Jeté 2005,
Graham Spicer sees The Royal Ballet and Paris Opera Ballet at the Nervi Festival, with the London company pulling aces out of its sleeve.
Royal Ballet Soloist Giacomo Rovero on his career and organising the upcoming Rocchetta Grand Jeté in an Italian vineyard.
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