Review: the welcome return of La Fille mal gardée with The Royal Ballet and debut performances to celebrate 19 October 202521 August 2026
Review: Detention – Gary Clarke Company’s brave, politically themed work 16 October 202521 August 2026
Access Becomes Art: World Ballet Day 2025 – The Royal Ballet’s celebration of radical accessibility 16 October 202516 October 2025
Review: Dance Umbrella 2025, ‘Change Tempo’ and ‘Siren Dance’ – “it was hard to imagine a greater contrast than between this odd couple” 13 October 202523 September 2026
Interview: Royal Ballet dancers Ella Newton Severgnini and Francisco Serrano talk about their debut in Christopher Wheeldon’s Like Water for Chocolate 12 October 202521 August 2026
Review: Dam Van Huynh’s Exquisite Noise – the power of dissent when used for a valuable cause 11 October 202521 August 2026
Review: Black History Month Draft Works at The Royal Opera House – the future is certainly looking bright 8 October 202521 August 2026
Review: Andrea Peña & Artists in Bogotá – dozing off was an instinctive temptation 6 October 202521 August 2026
Review: English National Ballet’s R:Evolution – a beautiful dance down memory lane 5 October 202521 August 2026
Review: La Scala triple bill – a five-star performance from Gioacchino Starace in Béjart’s Boléro 4 October 202521 August 2026
Review: Christopher Wheeldon’s Like Water for Chocolate returns with The Royal Ballet 3 October 202521 August 2026
Royal Ballet’s Anna Rose O’Sullivan to star in An American in Paris in Switzerland 1 October 202521 August 2026
Interview: Is Frankenstein the new Nutcracker? San Francisco Ballet’s Joseph Walsh on dancing and staging Liam Scarlett’s ballet 30 September 202521 August 2026
Review: US premiere of Liam Scarlett’s Carmen opens The Joffrey Ballet’s 70th anniversary season in Chicago amid a myriad of milestones 26 September 202527 September 2026
Review: Acosta Danza’s A Decade in Motion – an incredible coterie of dancers 24 September 202521 August 2026
Review: Sidi Larbi Cherkaoui’s ‘Vlaemsch (chez moi)’ – a love letter to Flanders 22 September 202521 August 2026
Review: Michael Keegan-Dolan’s How to be a Dancer in Seventy-Two Thousand Easy Lessons 20 September 202521 August 2026
Interview: Joshua Bergasse on West Side Story – reproducing Jerome Robbins’ choreography for LA Opera 19 September 202521 August 2026
Interview: Joss Arnott celebrating 15 years of his company with “Meet the Hatter”, the world’s greatest showman 17 September 202521 August 2026
Review: Russell Maliphant’s Maliphantworks4 – “I could watch it repeatedly, week-after-week.” 15 September 202521 August 2026
Dutch National Ballet principal dancer Anna Ol wins the Alexandra Radius Prize 2025 11 September 202511 September 2025
Christopher Powney appointed new artistic director of Dutch National Ballet’s Junior Company 11 September 202511 September 2025
Interview: Tamara Rojo, San Francisco Ballet’s Artistic Director – bringing the art of ballet forward 9 September 202521 August 2026
