Review: Wayne McGregor’s Infinite Bodies and On the Other Earth in London 27 November 202521 August 2026
Review: Marking Time – triple bill of choreography unified through the music of Nico Muhly 26 November 202521 August 2026
Sir Peter Wright celebrates his 99th birthday onstage with The Royal Ballet 24 November 202521 August 2026
Review: The Royal Ballet is back with The Nutcracker – the magic really sings 23 November 202521 August 2026
Review: London City Ballet with works by Page, Robbins, Chu, and Ratmansky 22 November 202521 August 2026
The Joffrey Ballet celebrates the 10th Anniversary of Christopher Wheeldon’s The Nutcracker 20 November 202521 August 2026
American Ballet Theatre’s Summer Season 2026 at the Metropolitan Opera House 18 November 202518 November 2025
Review: Shiraz by Armin Hokmi – an exercise in minimalism, repetition and patience 16 November 202516 November 2025
Review: The Royal Ballet’s Perspectives with Against the Tide, a world premiere from Cathy Marston 15 November 202521 August 2026
English National Ballet at 75 performs for The Queen at Buckingham Palace 14 November 202521 August 2026
Review: Natalia Osipova at the Linbury Theatre continuing her rollercoaster ride 13 November 202521 August 2026
Review: Matters of the Heart – the Joffrey Ballet’s 70th anniversary season continues with a Frida Kahlo-inspired work and a Chicago-set world premiere 9 November 202527 September 2026
Review: More from the VISAVÌ Gorizia Dance Festival – Bambu, Wetware, Golden Age 7 November 202518 September 2026
BalletBoyz: Still Pointless At 25 – celebrating a quarter century on stage and screen 6 November 20256 November 2025
Review: Brother to Brother – from Etna to Fuji – a new work from Zappalà Danza 1 November 202518 September 2026
La Scala in the USA – a Gala in New York, an exhibition in Washington, and a screening in Los Angeles 30 October 202531 October 2025
Review: Marco Spada returns to Rome for the first time since Rudolf Nureyev’s appearances in 1981 29 October 202521 August 2026
Interview: Alessandra Ferri – we are capable of tapping into things that are higher than ourselves 28 October 202528 October 2025
Review: ODEC, One Dance European City – a celebration of dance in two countries, one city 26 October 202518 September 2026
Review: the Cullberg Ballet in Exposure – not to be read by minors under 18 25 October 202521 August 2026
Review: Deciphers by Jean Abreu and Naishi Wang – not of any great interest 25 October 202521 August 2026
Review: The Royal Ballet’s Like Water for Chocolate – a cast full of debuts 24 October 202521 August 2026
Natalia Osipova returns to the Royal Ballet and Opera’s Linbury Theatre 23 October 202523 October 2025
Review: Astana Ballet Theatre in Two Carpets – “amongst the best new full-length narrative ballets that I have seen” 21 October 202521 August 2026
Review: La Fille mal gardée – opening night with The Royal Ballet in “the sunniest, funniest, twirliest romcom around” 20 October 202521 August 2026
