Review: Marianela – Timeless, a love letter to the audience
Lily Hyde sees Marianela Nuñez in Marianela: Timeless – it is Nuñez’s night, and hers alone.
Lily Hyde sees Marianela Nuñez in Marianela: Timeless – it is Nuñez’s night, and hers alone.
American Ballet Theatre’s two seasons at the David H. Koch Theater in 2026-2027 were announced by Artistic Director Susan Jaffe.
Lily Hyde spoke with Nina Ananiashvili, director of the State Ballet of Georgia, about the company’s 12-performance run of Swan Lake in London.
Graham Watts sees Ashton’s Birthday Offering, Jooss’s The Green Table and Balanchine’s Theme and Variations – an excellent programme to close a very good year at BRB.
Kathrina Farrugia-Kriel sees Leticia Dias and Joseph Sissens as Lise and Colas, “finding love, the Ashton way”, in Ballet’s La Fille mal gardée.
Dame Darcey Bussell reflects on the start of her career with Birmingham Royal Ballet, performing Birthday Offering, and its technical demands.
Matthew Paluch sees two debuts in The Royal Ballet’s La Fille mal gardée – Mayara Magri and Leo Dixon. The joy and embodiment were real, and consequently, Ashton’s genius lives on.
Graham Watts sees The Royal Ballet’s La Fille mal gardée with Sae Maeda making her debut as Lise with sunshine, smiles, soaring legs and coy naughtiness.
Graham Spicer sees Christopher Wheeldon’s Alice’s Adventures in Wonderland in Milan – beneath the spectacle is a quiet emotional core.
On 14 May, after 3 decades and tens of thousands of performances, the Royal Ballet and Opera unveils its new stage curtains as part of a Gala performance.
The complete presentation, calendar and production details of the full Royal Ballet 2026-2027 Season.
Matthew Paluch attended a Royal Ballet School Centenary Insight Day. Like the school’s founder, Ninette de Valois, he believes we need more than feelings; we need intelligence.
Graham Watts praises Dance for Ukraine – a very fine show, worthy of fulsome support.
Darcey Bussell, President of the Royal Academy of Dance, and Ivan Putrov present a ballet gala to support ballet students in Ukraine, on Saturday 21 March.
Jonathan Gray sees Marianela Nuñez (sincerity that touches the heart) and William Bracewell (his dancing and partnering was magnificent) in Peter Wright’s Giselle.
Dance writer Graham Watts looks back at a year of dance and chooses 12 performances from the 157 he saw during 2025.
American Ballet Theatre’s Summer Season 2026 will feature a new staging of Don Quixote, as well as the return of Onegin, Swan Lake, and Sylvia.
Graham Watts sees Natalia Osipova in ‘Osipova/Linbury’ – “this remarkable star of 21st century ballet continues to expand her horizons”.
Natalia Osipova returns with her Osipova/Linbury programme which contains work by Jo Strømgren, Akram Khan, Alexei Ratmansky and Frederick Ashton.
Georgina Butler sees La Fille mal gardée with Marianela Nuñez (youthful lyricism) and Vadim Muntagirov (bravura dancing) who together are radiant.
Jonathan Gray sees La Fille mal gardée at the Royal Ballet and Opera, one of Ashton’s greatest, funniest works with fizzing invention and humour unsurpassed.
Frederick Ashton’s La Fille mal gardée returns to The Royal Ballet with Francesca Hayward and Marcelino Sambé for the cinema relay on 5 November.
Ann Haskins talks to Tamara Rojo as she begins her third season as Artistic Director of San Francisco Ballet.
As the dance work based on Isherwood’s gay novel A Single Man comes to London’s Royal Opera House, Lily Hyde laments the lack of female queerness in ballet.
The Marchesi Incisa della Rocchetta Winery hosted Royal Ballet dancers in Piedmont, Italy, for Rocchetta Grand Jeté 2005,
Graham Spicer sees The Royal Ballet and Paris Opera Ballet at the Nervi Festival, with the London company pulling aces out of its sleeve.
Georgina Butler sees The Royal Ballet School Summer Performance 2025 celebrating tradition, innovation and passion and danced by remarkable students.
Director of The Royal Ballet, Kevin O’Hare, has announced promotions, new joiners and leavers for The Royal Ballet’s 2025/26 Season.
Interview with Hamburg Ballet’s principal dancer Jacopo Bellussi, the new Artistic Director of Nervi International Ballet Festival.
The Royal Ballet and Opera will bring nine productions from London to 1,500 cinema screens in 50 countries for 2025/26.
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