Interview: León and Lightfoot at The Royal Ballet – life, age, and change… a very beautiful message 2 July 20269 October 2026
Review: So Are We, León and Lightfoot – a five-star double bill from The Royal Ballet 13 June 202621 August 2026
Review: Debuts 3 – Leticia Dias and Joseph Sissens in The Royal Ballet’s La Fille mal gardée 10 June 202621 August 2026
Interview: Of Renewals and Returns – Helen Pickett, visionary choreographer and creative 28 May 202621 August 2026
Review: Gentleman Jack with Northern Ballet – Love, lust and the life of Anne Lister 21 May 202621 August 2026
Review: Wayne McGregor’s Alchemies – changing expectations at The Royal Ballet 20 April 202621 August 2026
Review: Scottish Ballet’s Mary Queen of Scots – celebrating Scots and Ballet 9 March 202621 August 2026
Review: The Magnificent Return of Serata William Forsythe at La Scala – Blake Works V 2 December 202521 August 2026
Review: Matthew Bourne’s The Midnight Bell – the masterful storyteller returns 15 June 202521 August 2026
Review: Cathy Marston’s Jane Eyre – Northern Ballet shows off its flair and mastery 15 May 202521 August 2026
Acclaimed disabled dancer and choreographer Joe Powell-Main needs your help 5 April 202521 August 2026
Review: Robyn Orlin’s ‘We wear our wheels’ – eloquently paced, irreverent, and poignant 24 March 202521 August 2026
Review: Scottish Ballet’s Twice-Born “delivered some truly beautiful moments” 10 March 202521 August 2026
Review: Mixed ‘Encounters’ – contemporary ballet remains alive at the Opera House 24 October 202421 August 2026
Review: Zoonation’s The Mad Hatter’s Tea Party at The Royal Opera House – Deliciously Mad 10 September 202410 September 2024
[Review] Empower in Motion: A Ballet Inclusive – “A joyous celebration of all people dancing” 20 February 202421 August 2026
[Review] The Royal Ballet in Wayne McGregor’s The Dante Project – “a masterpiece” 27 November 202321 August 2026
[Review] Ballet Black’s ‘Nina Simone: By Whatever Means’ – Playing the Right Notes 19 November 202321 August 2026
