Eugene Onegin, the new ballet for San Francisco Ballet and Joffrey Ballet
A new ballet on Pushkin’s Eugene Onegin opens at San Francisco Ballet, with choreography by Yuri Possohkov, music by Ilya Demutsky, and designs by Tim Yip.
A new ballet on Pushkin’s Eugene Onegin opens at San Francisco Ballet, with choreography by Yuri Possohkov, music by Ilya Demutsky, and designs by Tim Yip.
Graham Watts sees Yorke Dance Project’s mixed programme that took him on a fascinating journey through some Modern Milestones.
Lydia Wharf sees Akram Khan’s Giselle, and ten years on is moved to tears by this overwhelmingly enjoyable ballet.
Lucía Piquero sees the Royal Ballet in Wayne McGregor’s Woolf Works – a work resonating with the need to question what and how dance does.
La Scala closed 2025 with record ticket sales, up +7.3% compared to 2024. La Scala Theatre Museum sales grew by 14%.
In March 2026, Northern Ballet will unveil the world premiere of its new full‑length production, Gentleman Jack, launching a nationwide tour.
Director of The Royal Ballet, Kevin O’Hare, today announced that Patricio Revé will join the Company as a Principal dancer from the start of the 2026/27 Season.
Pressure mounts on San Francisco Ballet to rethink its Washington performances as criticism swirls around President Trump’s takeover of the Kennedy Center.
After last night’s performance of Sleeping Beauty at La Scala, soloist Navrin Turnbull was promoted to the role of Principal Dancer in the company.
Teatro del Maggio Musicale in Florence has cancelled Pas de deux for toes and fingers with Svetlana Zakharova and her violinist husband Vadim Repin.
New York City Ballet’s 2026 Winter Season runs from 20 January for six weeks at the David H. Koch Theater at Lincoln Center.
Renato Zanella, the Italian ballet dancer, choreographer and director, succeeds Clotilde Vayer as director of the Ballet of the San Carlo Theatre in Naples.
Las Estrellas – on 3 and 4 January in Rome – sees Sergio Bernal dance the rarely seen version of Ravel’s Boléro with choreography by Rafael Aguilar,
Lily Hyde sees Ballet Nights’ New Year’s Day Concert and finds some very strange artistic choices, though enjoys several dazzling performances.
In memoriam 2025: a personal list remembering some of the artists who died in 2025.
Dance writer Graham Watts looks back at a year of dance and chooses 12 performances from the 157 he saw during 2025.
La Scala Ballet Soloist Federico Fresi returned to dance on the opening night of the ballet season after a two‑year battle with a rare tumour.
Graham Watts sees Valentino Zucchetti’s The Nutcracker with “the stellar presence” of guest artist Liudmila Konovalova.
Jonathan Gray finds much to enjoy in Peter Wright’s The Nutcracker with an impressive young cast.
Graham Watts sees The Magic Flute by Luca Silvestrini’s Protein company – a small-scale, yet spectacular, pre-Christmas children’s show.
I talked to Mariko Sasaki and Giacomo Rovero about preparing to dance The Sugar Plum Fairy and The Prince in The Royal Ballet’s The Nutcracker.
Lydia Wharf sees Béjart Ballet Lausanne dance works by Riva&Repele, Andonis Foniadakis and Maurice Béjart and finds “a company looking forward with confidence”.
Lily Hyde sees Valentino Zucchetti’s production of The Nutcracker for New English Ballet Theatre – it’s a show with heart.
Matthew Paluch sees the Paris Opera Ballet in Contrasts – a dialogue of styles and executions that makes for a heady night.
Marianela Nuñez and Carlos Acosta take centre stage at the Royal Opera House this summer with two individually curated programmes from 29 July until 9 August.
Hans van Manen died yesterday, 17 December 2025, at the age of 93. He created more than 150 works during a 65-year career.
La Scala dedicates the opening of its ballet season to Giorgio Armani, and an exhibition of photos titled ‘Giorgio Armani at La Scala’ will be on display.
Georgina Butler sees a sprinkling of Nutcracker magic with English National Ballet – engaging and entertaining… a luscious visual feast.
Scott C Morgan sees the Joffrey Ballet in Christopher Wheeldon’s The Nutcracker – in these uncertain times, the Joffrey’s Nutcracker has grown into the political moment.
Gregory Dean talks to Paul Arrowsmith about choreographing and coaching after retiring as a dancer at 40, and life with his daughter.
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