Review: The Rose Prize – Christos Papadopoulos’ LARSEN C – a work of overall dullness and dimness 7 February 202521 August 2026
Review: Gandini Juggling’s Heka – synchronised juggling was mesmerising 3 February 202521 August 2026
Review: The Rose Prize – A.I.M by Kyle Abraham presents An Untitled Love – an innovative work 1 February 202521 August 2026
A ballerina says farewell – English National Ballet Lead Principal Erina Takahashi gives her final performance 19 January 202521 August 2026
Review: Luca Silvestrini’s The Little Prince – the collective excitement was palpable and infectious 3 January 202521 August 2026
Review: Circa’s Duck Pond – the place in which The Ugly Duckling and Swan Lake collide 24 December 202421 August 2026
Review: Nobodaddy – a new work by Sadler’s Wells Associate artist Michael Keegan-Dolan and his Teaċ Daṁsa company 6 December 202421 August 2026
Review: National Dance Company Wales in Frontiers – ‘Skinners’ and ‘August’ 14 October 202421 August 2026
Interview: Still on an upward trajectory, the career of National Ballet of Canada’s Hope Muir – a “collector of ideas and people” 26 September 202419 October 2024
Review: Astana Ballet Theatre and Mosaic del Arte’s Blind Forgiveness in Athens 22 September 202421 August 2026
Interview: Jennie Muskett – the Emmy-winning film composer seeking a new career writing music for dance 4 September 202421 August 2026
[Review] Spirited Away – Hayao Miyazaki’s Oscar-winning film, re-imagined for the stage 23 May 202421 August 2026
[Review] Paco Peña Flamenco Dance Company’s Solera – an uplifting and sensual theatrical experience 29 April 202421 August 2026
[Review] Elixir Festival – Charlotta Öfverholm’s In a Cage of Light / Susan Kempster’s Mother 21 April 202421 August 2026
[Review] Elixir Festival – Germaine Acogny & Malou Airaudo / Louise Lecavalier / Ben Duke 15 April 202421 August 2026
[Review] Wendy Houstoun’s Watch It! at the Soho Theatre: punchy and full of wit 5 April 20246 July 2024
[Review] Dimitris Papaioannou’s INK – spectacular imagery but is it worth that waste of water? 1 March 202421 August 2026
Ockham’s Razor’s ‘Tess’ – doesn’t completely hit the mark, but is nonetheless innovative 4 February 202421 August 2026
![common ground[s], credit Maarten Vanden Abeele 002](https://www.gramilano.com/wp-content/uploads/2024/04/common-grounds-credit-Maarten-Vanden-Abeele-002-768x512.webp "common grounds credit Maarten Vanden Abeele 002")
