Review: Norwegian National Ballet in Tungrodd / Rahčamuš / Raataminen – preserving identity 26 April 202621 August 2026
Review: International Draft Works 2026 – an outstanding initiative by The Royal Ballet 22 April 202621 August 2026
Review: Marianela Nuñez and Patricio Revé in the Norwegian National Ballet’s La Bayadère 21 April 202621 August 2026
Review: PCK Dance’s Into the Light – the celebrity pairing of James Pett and Travis Clausen-Knight 16 April 202621 August 2026
Review: Company of Elders – over-60s present a double bill with charisma, poignancy and comedy 13 April 202621 August 2026
The Critics’ Circle announces the nominations for the 26th National Dance Awards 10 April 202610 April 2026
Review: Kafka with the National Ballet of Brno – a tour de force for Arthur Abram in the title role 30 March 202621 August 2026
Review: Ivan Putrov’s Dance for Ukraine gala – raising funds to support ballet students 24 March 202624 October 2026
Review: Ballet de Lorraine’s hi-energy blast with a Folia and a kaleidoscopic Acid Gems 17 March 202621 August 2026
Review: ASTITVA with Jaivant Patel Company – a choreography of power and beauty 15 March 202621 August 2026
Review: Last and First Men with Neon Dance – a great deal of patience is required 10 March 202621 August 2026
Review: Coco Chanel with National Ballet of Brno – an excellent biographical ballet 24 February 202621 August 2026
Review: Ballet Nights continues to ‘educate, entertain and impress’ with Decadance 11 February 202621 August 2026
Review: Paul Taylor Dance Company at the Royal Ballet and Opera, programme one 1 February 202621 August 2026
Review: Gecko’s The Wedding – a feeling of randomness and surprise… and tedium 25 January 202621 August 2026
Review: Yorke Dance Project’s Modern Milestones, a programme of five inspirational works 21 January 202621 August 2026
The best dozen dance shows of 2025 – a legacy of memories from Graham Watts’ year in dance 29 December 202524 October 2026
Review: Luca Silvestrini’s The Magic Flute – unusual and magical dance theatre 22 December 202521 August 2026
Review: Marking Time – triple bill of choreography unified through the music of Nico Muhly 26 November 202521 August 2026
Review: London City Ballet with works by Page, Robbins, Chu, and Ratmansky 22 November 202521 August 2026
Review: Natalia Osipova at the Linbury Theatre continuing her rollercoaster ride 13 November 202521 August 2026
Review: Astana Ballet Theatre in Two Carpets – “amongst the best new full-length narrative ballets that I have seen” 21 October 202521 August 2026
Review: Dance Umbrella 2025, ‘Change Tempo’ and ‘Siren Dance’ – “it was hard to imagine a greater contrast than between this odd couple” 13 October 202523 September 2026
